Bernstein.

Bernstein.

Ancient Scandinavia provides a comprehensive overview of the archaeological history of Denmark, Norway, and Sweden.

Since its development in 1949, radiocarbon dating has increasingly been used in prehistoric research in order to get a better grip on the chronology of sites, cultures and environmental changes. Refinement of the dating, sampling and calibration methods has continuously created new and challenging perspectives for absolute dating. In these proceedings the focus lies on the contribution of carbon-14 dates in current Mesolithic research in North-West Europe. Altogether 40 papers dealing with radiocarbon dates from 15 different countries are presented. Major themes are the typo-technological evolution of lithic and bone industries, changes in settlement patterns, burial practices, demography and subsistence, human impact on the Mesolithic environment and the neolithisation process. Some papers also deal with more methodological aspects of carbon-14 dating (e.g. calculation of various reservoir effects, the use of cumulative calibrated probability distributions), and related techniques (e.g. stable isotope analysis for palaeodiet reconstruction).

The archaeological site of Smakkerup Huse is located at the headwaters of a former fjord known as the SaltbAek Vig on the northwest coast of the island of Zealand, Denmark. Excavations took place in 1989 and again from 1995 to 1997 by a team of Danish and American archaeologists. The site is important for a number of reasons, including the 1000-year record of cultural deposits and the preservation of abundant subsistence remains and wooden objects. Smakkerup Huse documents some of the oldest domestic cattle in Denmark and a new artifact type, a painted pebble, from the Mesolithic. While the settlement area of the site on land had been eroded, the waterlain deposits adjacent to the site preserved a submerged midden and an in situ fishing and boat landing area. The report on the site includes background on the Mesolithic of Southern Scandinavia, a history of research at the site, the geology and topography of the site and its environment, the layout and sequence of the excavations, stratigraphy, the finds, dating, interpretation and significance. T. Douglas Price is Weinstein Professor of European Archaeology and Director of the Laboratory for Archaeological Chemistry, Dept. of Anthropology, University of Michigan.

Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.

This work presents the most recent views on a subject of primordial importance for all students of history: the understanding of humankind’s process of becoming, viewed through the study of the beginnings of pottery in the late forager, and early farmer societies of Europe. It is a collection of essays, by some of the prominent European scholars and young dynamic archaeologists whose works focus on the early European and Middle Eastern pottery, intended to present a new perspective on the rise of a new technology in prehistory. With the breadth, variety and novelty of the approaches presented, “Early farmers, late foragers and ceramic traditions. On the beginning of pottery in Europe” is a fascinating read for scholars, as well as for the public at large.