A Badge of Injury is a contribution to both the fields of queer and global history. It analyses gay and lesbian transregional cultural communication networks from the 1970s to the 2000s, focusing on the importance of National Socialism, visual culture, and memory in the queer Atlantic. Provincializing Euro-American queer history, it illustrates how a history of concepts which encompasses the visual offers a greater depth of analysis of the transfer of ideas across regions than texts alone would offer. It also underlines how gay and lesbian history needs to be reframed under a queer lens and understood in a global perspective. Following the journey of the Pink Triangle and its many iterations, A Badge of Injury pinpoints the roles of cultural memory and power in the creation of gay and lesbian transregional narratives of pride or the construction of the historical queer subject. Beyond a success story, the book dives into some of the shortcomings of Euro-American queer history and the power of the negative, writing an emancipatory yet critical story of the era.

Pink Higgins was a rugged Texan who lived a life of classic Western adventure. He was a cowboy, Indian fighter, trail driver, stock detective, rancher, and deadly shootist who killed more adversaries than did such noted gunfighters as Wyatt Earp, Doc Holliday, and Bat Masterson. Pink battled Comanches and rustlers, and led a faction in the murderous Horrell-Higgins feud of Lampasas County (Texas). Yet he was a hard-working family man, devoted to his nine children. His son, Cullen Higgins, as a lawyer and judge, would become entangled in a series of bloody events involving a powerful cattle baron and the legendary Texas Ranger Frank Hamer. In this, the first book-length biography of Pink Higgins, the author reveals never before published details about the violence that followed the Higgins family to West Texas.

This book explores a neglected topic in criminology women and white-collar crime. Taking a case study approach, it examines how women and crime has changed and why women have become more involved in corporate, political, and professional offenses. Fully exploring the topic, it discusses all issues including perpetrators, victims and whistle-blowers and incorporates interviews with female scholars and professionals. From insider trading to medical malpractice, it includes contemporary examples that engage the reader and promote discussion in a controversial area of study. Criminologists, anyone with an interest in criminal practices."

How do we practice hope after trauma? What shape does hope take after abuse? In grappling with these questions, Ashley E. Theuring implicates the entire church and advocates changing our theologies of hope and our understanding of resurrection. Reimagining the Empty Tomb narrative from the Gospel of Mark in light of the experiences of domestic violence survivors, Fragile Resurrection reveals the possibility for everyday practices and relationships to mediate hope and resurrection. Theuring constructs an embodied imaginative hope found in the wake of trauma, which can speak to our current context of trauma and uncertainty.

Domestic abuse is a national emergency: one in four Australian women has experienced violence from a man she was intimate with. But too often we ask the wrong question: why didn’t she leave? We should be asking: why did he do it? Investigative journalist Jess Hill puts perpetrators – and the systems that enable them – in the spotlight. See What You Made Me Do is a deep dive into the abuse so many women and children experience – abuse that is often reinforced by the justice system they trust to protect them. Critically, it shows that we can drastically reduce domestic violence – not in generations to come, but today. Combining forensic research with riveting storytelling, See What You Made Me Do radically rethinks how to confront the national crisis of fear and abuse in our homes. ‘A shattering book: clear-headed and meticulous, driving always at the truth’—Helen Garner ‘One Australian a week is dying as a result of domestic abuse. If that was terrorism, we’d have armed guards on every corner.’ —Jimmy Barnes ‘Confronting in its honesty this book challenges you to keep reading no matter how uncomfortable it is to face the profound rawness of people’s stories. Such a well written book and so well researched. See What You Made Me Do sheds new light on this complex issue that affects so many of us.’—Rosie Batty

For decades, history ignored the Nazi persecution of gay people. Only with the rise of the gay movement in the 1970s did historians finally recognize that gay people, like Jews and others deemed “undesirable,” suffered enormously at the hands of the Nazi regime. Of the few who survived the concentration camps, even fewer ever came forward to tell their stories. This heart wrenchingly vivid account of one man's arrest and imprisonment by the Nazis for the crime of homosexuality, now with a new preface by Sarah Schulman, remains an essential contribution to gay history and our understanding of historical fascism, as well as a remarkable and complex story of survival and identity.

A groundbreaking volume surveying the contributions that gay and lesbian Americans have made to the democratic process. In 1969, when lesbian, gay, bisexual, and transgender (LGBT) people first participated as a group in the political process, they faced an imposing array of obstacles. Everything from personal rejection and violence; state anti-sodomy laws; exclusion from the armed forces; and legal discrimination in employment, housing, credit, consumer service, and public accommodations. Nevertheless, by the end of the millennium, LGBT people had transformed themselves into a well-organized and begrudgingly respected political force. In the process, they dramatically changed laws and attitudes across the nation. This new volume tells the story of the rapid growth and remarkable successes of the LGBT movement—a record that makes it one of the most successful social movements in U.S. history and, ironically, the least studied.