The culture of the Ponca Indians is less well known than their misfortunes. A model of research and clarity, The Ponca Tribe is still the most complete account of these Indians who inhabited the upper central plains. Peaceably inclined and never numerous, they built earth-lodge villages, cultivated gardens, and hunted buffalo. James H. Howard considers their historic situation in present-day South Dakota and Nebraska, their trade with Europeans and relations with the U.S. government and, finally, their loss of land along the Niobrara River and forced removal to Indian Territory. The tragic events surrounding the 1877 removal, culminating in the arrest and trial of Chief Standing Bear, are only part of the Ponca story. Howard, a respected ethnologist, traces the tribe’s origins and early history. Aided by Ponca informants, he presents their way of life in his descriptions of Ponca lodgings, arts and crafts (pottery was made from blue clay found on the Missouri River), clothing and ornaments, food, tools and weapons, dogs and horses, kinship system, governance, sexual practices, and religious ceremonies and dances. He tells what is known about a proud (and ultimately divided) tribe that was led down a “trail of tears.” The Ponca Tribe was originally published in 1965 as a bulletin of the Smithsonian Institution’s Bureau of American Ethnology. Introducing this edition is Donald N. Brown, a professor of sociology at Oklahoma State University, Stillwater, and a Ponca authority.

Walks on the Ground is a record of Louis V. Headman's personal study of the Southern Ponca people, spanning seven decades beginning with the historic notation of the Ponca people's origins in the East. The last of the true Ponca speakers and storytellers entered Indian Territory in 1877 and most lived into the 1940s. In Ponca heritage the history of individuals is told and passed along in songs of tribal members. Headman acquired information primarily when singing with known ceremonial singers such as Harry Buffalohead, Ed Littlecook, Oliver Littlecook, Eli Warrior, Dr. Sherman Warrior (son of Sylvester Warrior), Roland No Ear, and "Pee-wee" Clark. Headman's father, Kenneth Headman, shared most of this history and culture with Louis. During winter nights, after putting a large log into the fireplace, Kenneth would begin his storytelling. The other elders in the tribe confirmed Kenneth's stories and insights and contributed to the history Louis has written about the Ponca. Walks on the Ground traces changes in the tribe as reflected in educational processes, the influences and effects of the federal government, and the dominant social structure and culture. Headman includes children's stories and recognizes the contribution made by Ponca soldiers who served during both world wars, the Korean Conflict, the Vietnam War, Desert Storm, and the ongoing conflict in the Middle East.

For Ages 8 and up Imagine having to argue in court that you are a person. Yet this is just what Standing Bear, of the Ponca Indian tribe, did in Omaha in 1879. And because of this trial, the law finally said that an Indian was indeed a person, with rights just like any other American. Standing Bear of the Ponca tells the story of this historic leader, from his childhood education in the ways and traditions of his people to his trials and triumphs as chief of the Bear Clan of the Ponca tribe. Most harrowing is the winter trek on which Standing Bear led his displaced people, starving and sick with malaria, back to their homeland—only to be arrested by the U.S. government, which set the stage for his famous trial. Standing Bear’s story is also the story of a changing America, when the Ponca, like so many Indian tribes, felt the pressure of pioneers looking to settle the West. Standing Bear died in 1908, but his legacy and influence continue even up to the present.

Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation. Dictionary of the Ponca People presents approximately five thousand words and definitions used by Ponca speakers from the late nineteenth century to the present. Until relatively recently, the Ponca language had been passed down solely as part of an oral tradition in which children learned the language at home by listening to their elders. Almost every family on the southern Ponca reservation in Oklahoma spoke the language fluently until the 1940s, when English began to replace the Ponca language as children entered government boarding schools and were forced to learn English. In response to demand, Ponca language classes are now being offered to children and adults as people seek to gain knowledge of this important link to tradition and culture. The approximately five thousand words in this volume encompass the main artery of the language heard and spoken by the parents and grandparents of the Ponca Council of Elders. Additional words are included, such as those related to modern devices and technology. This dictionary has been compiled at a time when the southern Poncas are initiating a new syntactic structure to the language, as few can speak a full sentence. This dictionary is not intended to recover a cultural period or practice but rather as a reference to the spoken language of the people.

The harrowing story of a Native American man’s tragic loss of land and family, and his heroic journey to reclaim his humanity. In 1877, Chief Standing Bear’s Ponca Indian tribe was forcibly removed from their Nebraska homeland and marched to what was then known as Indian Territory (now Oklahoma), in what became the tribe’s own Trail of Tears. A third of the tribe died on the grueling march, including Standing Bear’s only son. “I Am a Man” chronicles what happened when Standing Bear set off on a six-hundred-mile walk to return the body of his son’s body to the Ponca’s traditional burial ground. It chronicles his efforts to reclaim his land and rights, culminating in his successful use of habeas corpus to gain access to the courts and secure his freedoms. This is a story of survival that explores fundamental issues of citizenship, constitutional protection, and the nature of democracy. Joe Starita’s well-researched and insightful account bring this vital piece of American history brilliantly to life.

Perfect for fans of Scary Stories to Tell in the Dark! A shiver-inducing collection of short stories to read under the covers, from a breadth of American Indian nations. Dark figures in the night. An owl's cry on the wind. Monsters watching from the edge of the wood. Some of the creatures in these pages might only have a message for you, but some are the stuff of nightmares. These thirty-two short stories -- from tales passed down for generations to accounts that could have happened yesterday -- are collected from the thriving tradition of ghost stories in American Indian cultures across North America. Prepare for stories of witches and walking dolls, hungry skeletons, La Llorona and Deer Woman, and other supernatural beings ready to chill you to the bone. Dan SaSuWeh Jones (Ponca Nation) tells of his own encounters and selects his favorite spooky, eerie, surprising, and spine-tingling stories, all paired with haunting art by Weshoyot Alvitre (Tongva). So dim the lights (or maybe turn them all on) and pick up a story...if you dare.