A true story from the great age of Arctic exploration of an Inuit boy's struggle for dignity against Robert Peary and the American Museum of Natural History in turn-of-the-century New York City. Sailing aboard a ship called Hope in 1897, celebrated Arctic explorer Robert Peary entered New York Harbor with peculiar "cargo": Six Polar Inuit intended to serve as live "specimens" at the American Museum of Natural History. Four died within a year. One managed to gain passage back to Greenland. Only the sixth, a boy of six or seven with a precociously solemn smile, remained. His name was Minik. Although Harper's unflinching narrative provides a much needed corrective to history's understanding of Peary, who was known among the Polar Inuit as "the great tormenter", it is primarily a story about a boy, Minik Wallace, known to the American public as "The New York Eskimo." Orphaned when his father died of pneumonia, Minik never surrendered the hope of going "home," never stopped fighting for the dignity of his father's memory, and never gave up his belief that people would come to his aid if only he could get them to understand.

Among the explorers made famous for revealing hitherto impenetrable cultures-T. E. Lawrence and Wilfred Thesiger in the Middle East, Richard Burton in Africa-Knud Rasmussen stands out not only for his physical bravery but also for the beauty of his writing. Part Danish, part Inuit, Rasmussen made a courageous three-year journey by dog sled from Greenland to Alaska to reveal the common origins of all circumpolar peoples. Lovers of Arctic adventure, exotic cultures, and timeless legend will relish this gripping tale by Stephen R. Bown, known as "Canada's Simon Winchester."

A collection of the very best in contemporary first-person journalism compiled by the award-winning former Washington Post reporter and author. Great journalists, at one time or another, have all been characters in their own stories: people with personalities that shaped what they saw and reported, and were touched and changed by the experiences about which they wrote; and innovators who borrowed the storytelling techniques of fiction. The Beholder’s Eye showcases the very best of an increasing trend toward personal narrative: Mike Sager stalking Marlon Brando in the Tahitian jungle; J. R. Moehringer’s quest to discover the true identity of an old boxer; Bill Plaschke’s story about a woman with cerebral palsy who runs an obscure Los Angeles Dodgers Web site; Scott Anderson’s story of his lifetime of covering war after war; Harrington’s own tale of his interracial family’s struggle to persevere; and many others. Written by reporters who were willing to reveal themselves in order to bring readers insights that were deeper than supposedly objective third-person stories, their articles are an invaluable resource for aspiring journalists, students, and teachers of the craft of writing, and any reader with an appreciation for masterful storytelling. “Aims to dispel the old journalistic cliché: that a journalist writing about him/herself is always ‘self-indulgent and, quite likely, narcissistic.’ He couldn’t have put together a better lineup of writers to make the point that it doesn’t have to be . . . Not just some of the country’s finest personal journalism, but some of its finest journalism, period.”—Kirkus Reviews