Jorge de Sena (1919-1978) was regarded by many as not only the premier contemporary poet of Portugal, but also the third of all time after Camões and Pessoa. He published more than a hundred books in a wide range of genres that included cultural studies, literary theory, essay, translation, criticism, drama, fiction, and poetry. His diverse formal training included Portugal's naval academy, a Licentiate in civil engineering from the University of Oporto, and a Ph.D. in literature from the University of São Paulo. He taught at two universities in Brazil before coming to the United States in 1965, where he accepted a full professorship at the University of Wisconsin at Madison. Then in 1970, he moved to the University of California at Santa Barbara where he was chair of two departments: Spanish and Portuguese, and Comparative Literature.Jorge de Sena: 100 Poems and More contains representative poems from each of his fourteen volumes of poetry, in both the original Portuguese as well as in English translation. There is also a useful introductory study, notes on each book of poetry, photographs, and an informative forward by his wife Mécia on Sena's long association with Anglo-American letters. The appendix contains a bibliographic listing of all of Sena's publications and two studies: a personal reminiscence of his teaching style and mentoring while a professor in the United States, and an analysis of some of his most significant moral teachings. Also provided is a reference to access a color video of Jorge de Sena reading his own poetry that includes a photo-biographical introduction and an interview.

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"Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The least known of the great European Modernist poets of the twentieth century, Fernando Pessoa was born in 1888. A virtuoso of poetic voices, he created a coterie of distinct heteronyms, individual voices for whom he created full biographies and full bodies of work that were not only distinctive and original but so distinguished that several have earned an honored place in the annals of world poetry. The Pessoa Chronicles-a collection, a scrapbook, an accumulation, an offering, take your pick-had its beginning as a book around 1990. Some of the entries in The Pessoa Chronicles are expressed in the (imagined) voice of Pessoa speaking for himself or that of one of his heteronyms. Many others are in an unidentified voice, usually indistinguishable from Monteiro's.

Francisco de la Torre has long been praised as an outstanding poet in the mould of Garcilaso de la Vega and his simplicity of style and soft, gentle, Arcadian environment of his poetry have been emphasized. In this volume Professor Hughes attempts to define more accurately the position of Francisco de la Torre's verse in the evolution of Spanish poetry in the sixteenth century, revealing that Torre's vision of the pastoral world and his poetic language show him to be a transitional poet of considerable quality and substance and not merely an imitator of Garcilaso. Hughes demonstrates that while some of Torre's poetry follows a general pastoral pattern, his descriptions are characterized by a sense of movement through a shifting perspective and that even in poems with a traditional pastoral setting, the descriptions sometimes negate the pastoral qualities. The author also shows that Torre, rather than looking back towards Garcilaso and his contemporaries, is already anticipating – especially in his stylistic technique and in his view of nature – the attitude of the seventeenth century.

Portuguese and Cape Verdean immigrants have had a significant presence in North America since the nineteenth century. Recently, Brazilians have also established vibrant communities in the U.S. This anthology brings together, for the first time in English, the writings of these diverse Portuguese-speaking, or "Luso-American" voices. Historically linked by language, colonial experience, and cultural influence, yet ethnically distinct, Luso-Americans have often been labeled an "invisible minority." This collection seeks to address this lacuna, with a broad mosaic of prose, poetry, essays, memoir, and other writings by more than fifty prominent literary figures--immigrants and their descendants, as well as exiles and sojourners. It is an unprecedented gathering of published, unpublished, forgotten, and translated writings by a transnational community that both defies the stereotypes of ethnic literature, and embodies the drama of the immigrant experience.