For the masters of the Chan tradition, poetry was a form of creative expression, but even more than that, it was a primary vehicle for teaching. Here a modern master presents ten teaching poems from the ancient masters, with illuminating commentary. “These poems flow directly from the minds of the enlightened Chan masters,” Master Sheng Yen says. “We get a glimpse into their experience at the time of, and after, their enlightenment. It is my hope that this collection of poems will give those who are interested in the practice a new way of looking at Chan.”

THE POETRY OF ENLIGHTENMENT contains translations and commentaries of ancient Chinese Ch'an (Zen) masters poems. The poems provide guidance for all students of meditation.

What warranted the skewering of Richard Bentley (whom Rhodri Lewis called “perhaps the most notable—and notorious—scholar ever to have English as a mother tongue”) by two of the literary giants of his day? Kristine Haugen offers a fascinating portrait of Europe’s most infamous classical scholar and the intellectual turmoil he set in motion.

Tracing the prehistory of the French prose poem, Fabienne Moore demonstrates that the genre emerges nearly a century before it is generally supposed to have existed. Moore links the development of this new genre with the period's thinking about language and poetic invention, as she argues that scientific, philosophical, and socioeconomic upheavals prompted a paradoxical return during the Enlightenment to sources such as Homer, the pastoral, Ossian, the Bible, and primitive eloquence.

The essays in this edited collection look at the role of poetry in the development of Enlightenment ideas. As scholarly disciplines began to emerge – anthropology, linguistics, psychology – the ancient art of poetry was invoked to create new ways of defining and expanding this philosophy of human science.

This collection of twelve critical essays on women's poetry of the eighteenth century and enlightenment is the first to range widely over individual poets and to undertake a comprehensive exploration of their work. Experiment with genre and form, the poetics of the body, the politics of gender, revolutionary critique, and patronage, are themes of the collection, which includes discussions of the distinctive projects of Mary Leapor, Ann Yearsley, Helen Maria Williams, Joanna Baillie, Charlotte Smith, Anna Barbauld and Lucy Aikin.