Exploring the relations between the concepts of peace and violence with aesthetics, nature, the body, and environmental issues, The Poesis of Peace applies a multidisciplinary approach to case studies in both Western and non-Western contexts including Islam, Chinese philosophy, Buddhist and Hindu traditions. Established and renowned theologians and philosophers, such as Kevin Hart, Eduardo Mendieta, and Clemens Sedmak, as well as upcoming and talented young academics look at peace and non-violence through the lens of recent scholarly advances on the subject achieved in the fields of theology, philosophy, political theory, and environmentalism.

The Cambridge Companion to American Poets brings together thirty-one essays on some fifty-four American poets, spanning nearly 400 years, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, 'confessional' poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry. Its reputable host of contributors approach American poetry from perspectives as diverse as the poetry itself. The result is a Companion concise enough to be read with pleasure yet expansive enough to do justice to the many traditions American poets have modified, inaugurated, and made their own.

Blanchot and his writings on three major poets, Mallarmé, Hölderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart. Connecting his work to later leading figures of 20th-century French philosophy, including Emmanuel Levinas, Simone Weil, and Jacques Derrida, Hart highlights the importance of Jewish philosophy and political thought to his overall conception of literature. Chapters on community and negation reveal Blanchot's emphasis on the relationship between narrative and politics over the more commonly connected narrative and aesthetics. By fully discussing Blanchot's elusive concept of “the Outside” for the first time, this book progresses scholarly understandings of his entire oeuvre further. This central concept engages Franz Rosenzweig's work on Abrahamic faiths, enabling a reckoning on the role of suffering and literature in the wake of the Shoah, with significant implications for Jewish studies more generally.

This volume brings together 29 junior and senior scholars to discuss aspects of Hesiod's poetry and its milieu and to explore questions of reception over two and half millennia from shortly after the poems' conception to Twitter hashtags. Rather than an exhaustive study of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod's stories of the gods and moralizing proscriptions of just human behavior. The volume opens with the "Hesiodic Question," to address questions of authorship, historicity, and the nature of composition of Hesiod's two major poems, the Theogony and Works and Days. Subsequent chapters on the archaeology and economic history of archaic Boiotia, Indo-European poetics, and Hesiodic style offer a critical picture of the sorts of questions that have been asked rather than an attempt to resolve debate. Other chapters discuss Hesiod's particular rendering of the supernatural and the performative nature of the Works and Days, as well as competing diachronic and synchronic temporalities and varying portrayals of female in the two poems. The rich story of reception ranges from Solon to comic books. These chapters continue to explore the nature of Hesiod's poetics, as different writers through time single out new aspects of his art less evident to earlier readers. Long before the advent of Christianity, classical writers leveled their criticism at Hesiod's version of polytheism. The relative importance of Hesiod's two major poems across time also tells us a tale of the age receiving the poems. In the past two centuries, artists and writers have come to embrace the Hesiodic stories for themselves for the insight they offer of the human condition but even as old allegory looks quaint to modern eyes new forms of allegory take form.

Borders / Debordering: Topologies, Praxes, Hospitableness engages from interdisciplinary and transnational perspectives some of the most important issues of the present, which lay at the intersection of physical, epistemological, spiritual, and existential borders. The book addresses a variety of topics connected with the role of the body at the threshold between subjective identities and intersubjective spaces that are drawn in ontology, epistemology and ethics, as well as with borders inscribed in intersubjective, social, and political spaces (such as gender/sexuality/race, human/animal/nature/technology divisions). The book is divided in three sections, covering various phenomena of borders and their possible debordering. The first section offers insights into bordering topologies, from reflections on the U.S. border to the development of the concept of the “border” in ancient China. The second section is dedicated to practices as well as intellectual ontologies with practical implications bound up with borders in different cultural and social spheres – from Buddhist nationalism in Sri Lanka and Myanmar to contemporary photography with its implications for political systems and reflections on human/animal border. The third section covers reflections on hospitality that relate to migration issues, emerging material ethics, and aerial hospitableness.

That Denise Levertov (1923–97) was one of the most pioneering and skilled poets of her generation is beyond dispute. Her masterly use of language, innovative experimentations with organic form, and the political acuity disclosed by her activist poetry are well marked by critical communities. But it is also quite clear that the poems Levertov wrote in the last twenty years of her life, with their more explicit focus on theological themes and subjects, are among the best poems written on religious experience of any century, let alone the twentieth. The collection of essays gathered here shed vital light on this neglected aspect of Levertov studies so as to expand and enrich the scope of critical engagement. In a mixture of theoretical considerations and close readings, these essays provide valuable reflections about the complex relationship between poetry and belief and offer philosophically robust insights into different styles of poetic imagination. The abiding hope is to broaden the terrain for discussions in twenty-first-century theology, literary theory, poetics, and aesthetics—honoring immanence, exploring transcendence, and dwelling with integrity within the spaces between.

In Antigone's Sisters, Lenart Škof explores the power of love in our world—stronger than violence and, ultimately, stronger even than death. Focusing on Antigone, Savitri, and Mary, the book offers an investigation into various goddesses and feminine figures from a variety of philosophical, mythological, theological, and literary contexts. The book also elaborates on the feminine aspects of selected concepts from modern philosophical texts, such as the Matrix in Jakob Böhme, Clara in F. W. J. Schelling, beyng in Martin Heidegger, chóra in Jacques Derrida, and breath in Luce Irigaray's thought. Drawing on Bracha M. Ettinger's concept of matrixiality, Škof proposes a new matrixial theory of philosophy, cosmology, and theology of love. Despite its many usages and appropriations, love remains a neglected topic within Western philosophy. With its new interpretation of Antigone and related readings of Irigaray, Kristeva, and Ettinger, Antigone's Sisters aims to identify some of the reasons for this forgetting of love, and to show that it is only love that can bring peace to our ethically disrupted world.