All his life, William Stanley searched for a wild place of his own. Growing up in the straightened-out city blocks of his childhood and finding some respite in summer trips to a cabin in the woods, William Stanley yearned for space, fragrant soil, tall trees, and the silence that surrounds them. In Hawaii, he learned of acres of land depleted from toxic agricultural practices, and he became determined to restore that land and create one of the most comprehensive palm gardens in the world.

Late in life our most revered poet delivers a verdant collection that rivals the best from his storied career.

A volume of poems concerned with intimacy and wholeness, and with history and how the world endures it—from the Pulitzer Prize-winning author and “one of the greatest poets of our age … the Thoreau of our era” (Edward Hirsch). A literary event—a new volume of poems by one of the masters of modern poetry—The Rain in the Trees is W. S. Merwin's first book since the publication of his Opening the Hand. Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem—so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech. Merwin can now rightfully be called a master, and this book shows in every way why this is the case.

Out of print for two decades and reissued in this updated edition, Sun at Midnight is the first translation into English of the work of Muso Soseki, a Zen roshi of the fourteenth century and father of what we now think of as the Zen rock garden. These sublime translations reveal W.S. Merwin's own resources as a gardener; the heart of both his and Soseki's endeavors can be seen with clarity through these inspiring poems and letters. Intensely lyric and rich with the concrete details of sight, sound, and scent, deeply immersed in the great philosophical questions, the work is transformative and full-spectrum. From a telling smile and handshake in "the one wind" to "something beyond happiness / inside the gate / of this mountain," the infinity in a moment can be found everywhere. All worries and troubles have gone from my breast and I play joyfully far from the world For a person of Zen no limits exist The blue sky must feel ashamed to be so small Book jacket.

“An exquisite book of poetry with a lens on motherhood that’s existential, funny and tender.” —Elle Acclaimed poet Carrie Fountain deepens her exploration of the domestic in a new collection of playful and wise poems The poems in Carrie Fountain's third collection, The Life, exist somewhere, as Rilke says, between “our daily life” and “the great work”—an interstitial space where sidelong glances live alongside shouts to heaven. In elegant, colloquial language, Fountain observes her children dressing themselves in fledgling layers of personhood, creating their own private worlds and personalities, and makes room for genuine marvels in the midst of routine. Attuned to the delicate, fleeting moments that together comprise a life, these poems offer a guide by which to navigate the signs and symbols, and to pilot if not the perfect life, the only life, the life we are given.

People have been retreating to the woods for quiet, meditation, and inspiration for centuries, and recent research finds that time spent in the forest doesn’t just feel good but is, in fact, good for you. Inspired by the Japanese concept of shinrin-yoku, or forest bathing, poet Hannah Fries invites readers to bask in the company of trees, whether in a city park or a rural nature preserve. Fries combines her own reflections and guided mindfulness exercises with a curated selection of inspirational writing from poets, naturalists, artists, scientists, and thinkers throughout the centuries and across cultures, including Japanese haiku masters, 19th century European Romantics, American Transcendentalists, and contemporary environmentalists. Accompanied by beautiful forest photography, Forest Bathing Retreat is a distinctive gift that invites frequent revisiting for fresh insights and inspiration. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

“Carrie Fountain’s YA novel is part-plot-twisty thriller, part-sweet romance, and perfect for summer reading!” —Bustle, Best YA Book of July, on I'm Not Missing It’s senior year, and Miranda Black’s best friend, Syd, has run away—suddenly and inexplicably, leaving behind nothing but a pink leopard print cell phone with a text message from the mysterious HIM. Everyone wants to know why Syd left, but the truth is, Miranda has no idea. When Miranda’s mother abandoned her as a child, Miranda had found shelter in her friendship with Syd, who wore her own motherlessness like a badge of honor. Now Miranda’s been left behind again, left to untangle the questions of why Syd left, where she is—and if she’s even a friend worth saving, all while stumbling into first love with the most unlikely boy in school. How do you take on the future when it feels like so much of your past wasn’t even real?