This is an analysis of sexual themes in the plays of Beaumont and Fletcher, both in the context of the Jacobean theatre and in the light of modern readings of sexuality and gender during the English Renaissance. Sandra Clark challenges commonly-held perceptions of Beaumont and Fletcher's work. The book is intended for undergraduate and graduate courses on Renaissance literature, Elizabethan and Jacobean drama, tragicomedy, gender and genre in the Renaissance.

This is an analysis of sexual themes in the plays of Beaumont and Fletcher, both in the context of the Jacobean theatre and in the light of modern readings of sexuality and gender during the English Renaissance. Sandra Clark challenges commonly-held perceptions of Beaumont and Fletcher's work. The book is intended for undergraduate and graduate courses on Renaissance literature, Elizabethan and Jacobean drama, tragicomedy, gender and genre in the Renaissance.

Reproduction of the original: The Maids Tragedy by Francis Beaumont, John Fletcher

"The Little French Lawyer" is a comedic play co-authored by John Fletcher and Francis Beaumont, believed to have been first performed in the early 17th century. Set in France, the play follows the misadventures of a cunning French lawyer named Cleremont, who is known for his crafty and manipulative ways. The plot revolves around Cleremont's efforts to outsmart and manipulate various characters for personal gain. He becomes embroiled in a complicated love triangle involving a wealthy heiress, Isabella, and her suitors. Using his wit and cunning, Cleremont orchestrates a series of humorous and farcical situations, leading to unexpected twists and turns. As the play unfolds, Cleremont's schemes are eventually exposed, and he finds himself outwitted by his own cleverness. However, true love prevails in the end, and the characters find happiness despite Cleremont's meddling.