Wall Street Journal bestselling author Charlie N. Holmberg returns to the enchanting world of The Paper Magician. Alvie Brechenmacher has arrived in London to begin her training in Polymaking--the magical discipline of bespelling plastic. Polymaking is the newest form of magic, and in a field where there is so much left to learn, every Polymaker dreams of making the next big discovery. Even though she is only an apprentice, Alvie is an inventor at heart, and she is determined to make as many discoveries--in as short a time frame--as she can. Luckily for her, she's studying under the world-renowned magician Marion Praff, who is just as dedicated as Alvie is. Alvie's enthusiasm reinvigorates her mentor's work, and together they create a device that could forever change Polymaking--and the world. But when a rival learns of their plans, he conspires to steal their invention and take the credit for it himself. To thwart him, Alvie will need to think one step ahead. For in the high-stakes world of magical discovery, not everyone plays fair...

"Bound to a magic she never wanted, a young apprentice falls deeper into its mysteries when she must use everything she's learned from her master in order to save him, and his heart"--P. [4] of cover.

Throughout her studies, Ceony Twill has harbored a secret, one she's kept from even her mentor, Emery Thane. She's discovered how to practice forms of magic other than her own--an ability long thought impossible. While all seems set for Ceony to complete her apprenticeship and pass her upcoming final magician's exam, life quickly becomes complicated. To avoid favoritism, Emery sends her to another paper magician for testing, a Folder who despises Emery and cares even less for his apprentice. To make matters worse, a murderous criminal from Ceony's past escapes imprisonment. Now she must track the power-hungry convict across England before he can take his revenge. With her life and loved ones hanging in the balance, Ceony must face a criminal who wields the one magic that she does not, and it may prove more powerful than all her skills combined. The whimsical and captivating follow-up to The Paper Magician and The Glass Magician, The Master Magician will enchant readers of all ages.

Lev Grossman’s new novel THE BRIGHT SWORD will be on sale July 2024 Return to Fillory in the riveting sequel to the New York Times bestseller and literary phenomenon, The Magicians, now an original series on SYFY, from the author of the #1 bestselling The Magician’s Land. Quentin Coldwater should be happy. He escaped a miserable Brooklyn childhood, matriculated at a secret college for magic, and graduated to discover that Fillory—a fictional utopia—was actually real. But even as a Fillorian king, Quentin finds little peace. His old restlessness returns, and he longs for the thrills a heroic quest can bring. Accompanied by his oldest friend, Julia, Quentin sets off—only to somehow wind up back in the real world and not in Fillory, as they’d hoped. As the pair struggle to find their way back to their lost kingdom, Quentin is forced to rely on Julia’s illicitly learned sorcery as they face a sinister threat in a world very far from the beloved fantasy novels of their youth.

Now well into her apprenticeship with magician Emery Thane, twenty-year-old Ceony Twill is continuing to discover the joy of paper magic. She adores bringing her spells to life in surprising ways, from learning the power of distortion to creating a beloved paper dog. And she secretly hopes that the romance she foresaw blossoming between her and the peculiar yet strikingly handsome Emery finally becomes real.

“A remarkable writer.” —Neil Gaiman, bestselling author of American Gods An Alex Award Winner There is a dark secret that is hiding at the heart of New York City and diminishing the city’s magicians’ power in this fantasy thriller by acclaimed author Kat Howard. In New York City, magic controls everything. But the power of magic is fading. No one knows what is happening, except for Sydney—a new, rare magician with incredible power that has been unmatched in decades, and she may be the only person who is able to stop the darkness that is weakening the magic. But Sydney doesn’t want to help the system, she wants to destroy it. Sydney comes from the House of Shadows, which controls the magic with the help of sacrifices from magicians.

'A fascinating journey into our relationship with the physical book...I lost count of the times I exclaimed with delight when I read a nugget of information I hadn't encountered before' Val McDermid, The Times Most of what we say about books is really about the words inside them- the rosy nostalgic glow for childhood reading, the lifetime companionship of a much-loved novel. But books are things as well as words, objects in our lives as well as worlds in our heads. And just as we crack their spines, loosen their leaves and write in their margins, so they disrupt and disorder us in turn. All books are, as Stephen King put it, 'a uniquely portable magic'. Here, Emma Smith shows us why. Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us. Gathering together a millennium's worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books' physical form - their 'bookhood' - that lends them their distinctive and sometimes dangerous magic. From the Diamond Sutra to Jilly Cooper's Riders, to a book made of wrapped slices of cheese, this composite artisanal object has, for centuries, embodied and extended relationships between readers, nations, ideologies and cultures, in significant and unpredictable ways. Exploring the unexpected and unseen consequences of our love affair with books, Portable Magic hails the rise of the mass-market paperback, and dismantles the myth that print began with Gutenberg; it reveals how our reading habits have been shaped by American soldiers, and proposes new definitions of a 'classic'-and even of the book itself. Ultimately, it illuminates the ways in which our relationship with the written word is more reciprocal - and more turbulent - than we tend to imagine.