(Book). Publishing is one of the most complex and lucrative parts of the music business. Industry expert Randall Wixen covers everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation and more. Get a view from the top, in plain English. This updated and revised edition has been prepared in light of the ever-changing landscape of music publishing, taking into account factors like illegal downloading and recent announcements from the Copyright Royalty Board. With an added "DIY" chapter, the author demonstrates why the playing field has changed for the traditional copyright adminstrators, and how musicians just starting out can protect their own work until they hit the big time.

Music exec offers an affordable, no-nonsense guide to the basics and beyond. Music publishing is one of the most complex parts of the music business and yet it can be the most lucrative area of income for musicians. Expert and industry veteran Randall Wixen presents a clear, concise approach on how music publishing works today. It is written for the lay musician/songwriter but contains enough substance to be worthwhile for those already holding positions within the business. Topics covered include everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation, and more. Get a view from the top, in plain English. * All aspiring musicians desire to know this side of the business * Famous artists lend quotes and personal stories to illustrate concept * Author is a guest lecturer so the book is organized for classroom use as well

(Book). Music publishing is one of the most complex parts of the music business, and yet it can be the most lucrative area of income for musicians. Expert and industry veteran Randall Wixen prsents a clear, concise approach on how music publishing works today. It is written for the lay musician/songwriter but contains enough substance to be worthwhile for those already holding positions within the business. Includes a foreword by Tom Petty. Topics covered include everything from mechanical, performing, and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation, and more. Get a view from the top, in plain English.

(Book). Publishing is one of the most complex and lucrative parts of the music business. Industry expert Randall Wixen covers everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation and more. Get a view from the top, in plain English. This updated and revised edition has been prepared in light of the ever-changing landscape of music publishing, taking into account factors like illegal downloading and recent announcements from the Copyright Royalty Board. With an added "DIY" chapter, the author demonstrates why the playing field has changed for the traditional copyright adminstrators, and how musicians just starting out can protect their own work until they hit the big time.

How do I protect my songs from copyright infringement? What's the difference between a mechanical license and a master license? How do artists and songwriters get paid from streaming, or from having their music used in a TV ad, karaoke machine, or cell-phone ringtone? In the Plain and Simple Guide to Music Publishing, Randall D. Wixen lays out the essentials of this crucial and often misunderstood side of the music business. Written in a clear and candid style, this book should be required reading for musicians, songwriters, and everyone who wants to survive and thrive in today's music industry. Book jacket.

Since the publication of the first edition in 2005, The Plain and Simple Guide to Music Publishing has emerged as the premier guide to the subject. With sufficient depth to be used as a text at major college music industry programs including UCLA, NYU and Northeastern, the book also remains simple and clear enough for the lay songwriter to gain a crucial understanding of musical copyrights and licensing basics. In this expanded and updated fourth edition, with a foreword by Tom Petty, the author adds greater depth to such increasingly important topics as the rapidly shifting industry paradigms, the growing importance of streaming and subscription models, the impact of copyright terminations and reversions, updated advice on current license prices, as well as all the basics of copyright and rights management.

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