A little over a century ago, bubonic plague--the same Black Death that decimated medieval Europe--arrived on the shores of Hawaii just as the islands were about to become a U.S. territory. In this absorbing narrative, James Mohr tells the story of that fearful visitation and its fiery climax--a vast conflagration that engulfed Honolulu's Chinatown. Mohr tells this gripping tale largely through the eyes of the people caught up in the disaster, from members of the white elite to Chinese doctors, Japanese businessmen, and Hawaiian reporters. At the heart of the narrative are three American physicians--the Honolulu Board of Health--who became virtual dictators when the government granted them absolute control over the armed forces and the treasury. The doctors soon quarantined Chinatown, where the plague was killing one or two people a day and clearly spreading. They resisted intense pressure from the white community to burn down all of Chinatown at once and instead ordered a careful, controlled burning of buildings where plague victims had died. But a freak wind whipped one of those small fires into a roaring inferno that destroyed everything in its path, consuming roughly thirty-eight acres of densely packed wooden structures in a single afternoon. Some 5000 people lost their homes and all their possessions and were marched in shock to detention camps, where they were confined under armed guard for weeks. Next to the attack on Pearl Harbor in 1941, the Chinatown fire is the worst civic disaster in Hawaiian history. A dramatic account of people struggling in the face of mounting catastrophe, Plague and Fire is a stimulating and thought-provoking read.

The theatre of early modern England was a disastrous affair. What we tend to remember of the Shakespearean stage and its history are landmark moments of dissolution. This title is a study of these catastrophes and the theory of performance they convey.

A Plague on Your Houses is a scorching indictment of the decision to close fire companies in New York in the 1970s and a frightening study of the way misguided and malevolent social policy can spark a chain reaction of enormous and unforeseen urban collapse.

1666 was a watershed year for England. The outbreak of the Great Plague, the eruption of the second Dutch War and the Great Fire of London all struck the country in rapid succession and with devastating repercussions. Shedding light on these dramatic events, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based on original archival research and drawing on little-known sources, 1666: Plague, War and Hellfire takes readers on a thrilling journey through a crucial turning point in English history, as seen through the eyes of an extraordinary cast of historical characters. While the central events of this significant year were ones of devastation and defeat, 1666 also offers a glimpse of the incredible scientific and artistic progress being made at that time, from Isaac Newton's discovery of gravity to Robert Hooke's microscopic wonders. It was in this year that John Milton completed Paradise Lost, Frances Stewart posed for the now-iconic image of Britannia, and a young architect named Christopher Wren proposed a plan for a new London - a stone phoenix to rise from the charred ashes of the old city. With flair and style, 1666 shows a city and a country on the cusp of modernity, and a series of events that forever altered the course of history.

2020 began with firestorms raging through the country, followed by floods, and then a global pandemic that has changed how Australians think, feel and live. We all experienced this year differently, but one thing rings true for all of us: this is a year we won’t forget. This anthology brings together original work from a diverse collection of Australian voices, from writers to scientists, journalists to historians, all expressing what 2020 meant to them. They write of ash falling from the sky, fish dying on riverbanks, loved ones lost, loved ones reunited, the historical resonance of fire and plague for Indigenous Australians, geopolitical tensions, the changed nature of travel, friendships rekindled on Zoom, the urgency of the Black Lives Matter movement, the state of the arts and the media, the importance of nurturing our inner lives, communities destroyed and communities rebuilding. FIRE FLOOD PLAGUE is a vital cultural record of the resilience and humanity needed in these extraordinary times. Including original pieces from Lenore Taylor, Nyadol Nuon, Christos Tsiolkas, Melissa Lucashenko, Billy Griffiths, Jess Hill, Kim Scott, Brenda Walker, Jane Rawson, Omar Sakr, Richard McGregor, Jennifer Mills, Gabrielle Chan, John Birmingham, Tim Flannery, Rebecca Giggs, Kate Cole-Adams, George Megalogenis, James Bradley, Alison Croggon, Melanie Cheng, Kirsten Tranter, Tom Griffiths, Joëlle Gergis and Delia Falconer.