A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Hindu devotional traditions have long been recognized for their sacred geographies as well as the sensuous aspects of their devotees' experiences. Largely overlooked, however, are the subtle links between these religious expressions. Based on intensive fieldwork conducted among worshippers in Bengal’s Navadvip-Mayapur sacred complex, this book discusses the diverse and contrasting ways in which Bengal-Vaishnava devotees experience sacred geography and divinity. Sukanya Sarbadhikary documents an extensive range of practices, which draw on the interactions of mind, body, and viscera. She shows how perspectives on religion, embodiment, affect, and space are enriched when sacred spatialities of internal and external forms are studied at once.

"The anthropology of Hinduism has amply established that Hindus have strong involvement with sacred geography. The Hindu sacred topography is dotted with innumerable pilgrimage places, and popular Hinduism is abundant with spatial imaginings. Thus Shiva and his partner, the mother goddess, live in the Himalayas, goddesses descend on earth as beautiful rivers, the goddess Kali's body parts are imagined to have fallen in various sites of Hindu geography sanctifying them as sacred centres, and yogis meditate in forests. Bengal similarly has a thriving culture of exalting sacred centres and pilgrimage places, one of the most important among them being the Navadvip-Mayapur sacred complex, Bengal's greatest site of guru-centred Vaishnavite pilgrimage and devotional life. The main question my book seeks to answer is what sites and senses of place beyond physical geographical ones can do to our notions of space/place, affect, and sanctity. While the contemporary anthropology of place and embodiment, following Edward Casey's philosophy (1993), is dominated by the idea of body-in-place, my book seeks to extend his formulations by also analysing cultural constructions and experiences of place in the body, mind etc. Traveling through both exterior and interior landscapes, I show that the practitioner inhabits Krishna's world through every daily religious practice. The synaesthesia that results from the overlap of these different planes of experience confirms the intensely transformative power of Vaishnava ritual processes"--Provided by publisher.

Written in the nineteenth century, rediscovered in the twenty-first, timeless in its wisdom and beauty, Hours of Devotion by Fanny Neuda, (the daughter of a Moravian rabbi), was the first full-length book of Jewish prayers written by a woman for women. In her moving introduction to this volume--the first edition of Neuda’s prayer book to appear in English for more than a century--editor Dinah Berland describes her serendipitous discovery of Hours of Devotion in a Los Angeles used bookstore. She had been estranged from her son for eleven years, and the prayers she found in the book provided immediate comfort, giving her the feeling that someone understood both her pain and her hope. Eventually, these prayers would also lead her back to Jewish study and toward a deeper practice of her Judaism. Originally published in German, Fanny Neuda’s popular prayer book was reprinted more than two dozen times in German and appeared in Yiddish and English editions between 1855 and 1918. Working with a translator, Berland has carefully brought the prayers into modern English and set them into verse to fully realize their poetry. Many of these eighty-eight prayers, as well as Neuda’s own preface and afterword, appear here in English for the first time, opening a window to a Jewish woman’s life in Central Europe during the Enlightenment. Reading “A Daughter’s Prayer for Her Parents,” “On the Approach of Childbirth,” “For a Mother Whose Child Is Abroad,” and the other prayers for both daily and momentous occasions, one cannot help but feel connected to the women who’ve come before. For Berland, Hours of Devotion served as a guide and a testament to the mystery and power of prayer. Fanny Neuda’s remarkable spirit and faith in God, displayed throughout these heartfelt prayers, now offer the same hope of guidance to others.

In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture. A groundbreaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/climate-change-and-the-art-of-devotion

In this lively introduction, J. Nelson Kraybill shows how the book of Revelation was understood by its original readers and what it means for Christians today. Kraybill places Revelation in its first-century context, opening a window into the political, economic, and social realities of the early church. His fresh interpretation highlights Revelation's liturgical structure and directs readers' attentions to twenty-first-century issues of empire, worship, and allegiance, showing how John's apocalypse is relevant to the spiritual life of believers today. The book includes maps, timelines, photos, a glossary, discussion questions, and stories of modern Christians who live out John's vision of a New Jerusalem.

In this book, Patton E. Burchett offers a path-breaking genealogical study of devotional (bhakti) Hinduism that traces its understudied historical relationships with tantra, yoga, and Sufism. Beginning in India’s early medieval “Tantric Age” and reaching to the present day, Burchett focuses his analysis on the crucial shifts of the early modern period, when the rise of bhakti communities in North India transformed the religious landscape in ways that would profoundly affect the shape of modern-day Hinduism. A Genealogy of Devotion illuminates the complex historical factors at play in the growth of bhakti in Sultanate and Mughal India through its pivotal interactions with Indic and Persianate traditions of asceticism, monasticism, politics, and literature. Shedding new light on the importance of Persian culture and popular Sufism in the history of devotional Hinduism, Burchett’s work explores the cultural encounters that reshaped early modern North Indian communities. Focusing on the Rāmānandī bhakti community and the tantric Nāth yogīs, Burchett describes the emergence of a new and Sufi-inflected devotional sensibility—an ethical, emotional, and aesthetic disposition—that was often critical of tantric and yogic religiosity. Early modern North Indian devotional critiques of tantric religiosity, he shows, prefigured colonial-era Orientalist depictions of bhakti as “religion” and tantra as “magic.” Providing a broad historical view of bhakti, tantra, and yoga while simultaneously challenging dominant scholarly conceptions of them, A Genealogy of Devotion offers a bold new narrative of the history of religion in India.

Hindu devotional traditions have long been recognized for their sacred geographies as well as the sensuous aspects of their devotees' experiences. Largely overlooked, however, are the subtle links between these religious expressions. Based on intensive fieldwork conducted among worshippers in Bengal's Navadvip-Mayapur sacred complex, this book discusses the diverse and contrasting ways in which Bengal-Vaishnava devotees experience sacred geography and divinity. Sukanya Sarbadhikary documents an extensive range of practices, which draw on the interactions of mind, body, and viscera. She shows how perspectives on religion, embodiment, affect, and space are enriched when sacred spatialities of internal and external forms are studied at once. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.