The Pious Sex strives to enlighten the reader with respect to the relationship between women and religion. The notion that there is a special relationship between women and piety may call to mind the worst of the prejudices associated with women over the ages: the characterization of women as superstitious and inherently irrational creatures who must be kept firmly in hand by the patriarchal establishment. The suggestion that there is a special relationship between women and piety conjures up the most oppressive picture of womanly virtue. The contributors of this volume revisit the claim that women constitute the pious sex and investigate the implications of such a designation. This collection of original essays examines the relationship between women and religion in the history of political thought broadly conceived. This theme is a remarkably revealing lens through which to view the Western philosophical and poetical traditions that have culminated in secular and egalitarian modern society. The essays also give highly analytical accounts of the manifold and intricate relationships between religion, family, and public life in the history of political thought, and the various ways in which these relationships have manifested themselves in pagan, Jewish, Christian, and post-Christian settings.

Although women were called the ‘pious sex’ much earlier, it was during the nineteenth century, when the differences between men and women were being made more explicit, that an intense bond between women and religion was developed. Religiosity was thought to be a ‘natural’ part of femininity and turned religious masculinity into an oddity. This clear-cut gender ideology, however, remains an ideology (prescribed and contested) that needs to be put in the perspective of its context of origin, the bourgeois milieu. How were these gender identities constructed and by whom? With this volume Van Osselaer seeks to clarify how the gender differentiation was created among Belgian Catholics. She brings to light the extent to which religiosity was inscribed in these constructions and how religious teachings contributed to it. It is clear that the limitations of the ‘feminization’ thesis, a master narrative that has strongly contributed to the introduction of women in religious history, have gradually become more visible. Documenting pastoral care, the devotion to the Sacred Heart of Jesus and Catholic Action, The Pious Sex offers critical commentaries on the master narratives, suggesting that even men could belong to a ‘pious sex’.

In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women's sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God. Providing churchwomen a space to candidly discuss these issues, these popular ministries exist largely beyond the traditional church, with dialogues about sex taking place in chat rooms and through text messages, social media, email, and other media. Moultrie foregrounds televangelist Juanita Bynum's construction of the black Christian sexual identity these ministries promote while emphasizing how churchwomen reconcile these prescriptive identities with their individual experiences. What does it mean for senior women to exercise sexual agency when their church standing could be questioned? What does celibacy mean for women who experience same-sex desire while believing that such desire goes against God's will? Advancing a womanist sexual ethics, Moultrie reframes biblical interpretations and conceptions of what constitutes a healthy relationship to provide a basis for sexual decision making that does not privilege monogamy or deny female pleasure, thereby calling on black churchwomen to experience responsible and life-enhancing sex.

PIOUS, a novel by Kenn Bivins, is about a duplicitous man who is confronted with all that he has tried to hide of his past when a registered sex-offender moves into his neighborhood.

Charts a faithful theological middle course through complex sexual issues How different are men and women? When does it matter to us -- or to God? Are male and female the only two options? In Sex Difference in Christian Theology Megan DeFranza explores such questions in light of the Bible, theology, and science. Many Christians, entrenched in culture wars over sexual ethics, are either ignorant of the existence of intersex persons or avoid the inherent challenge they bring to the assumption that everybody is born after the pattern of either Adam or Eve. DeFranza argues, from a conservative theological standpoint, that all people are made in the image of God -- male, female, and intersex -- and that we must listen to and learn from the voices of the intersexed among us.

This work is of importance to anyone with an interest in whether women, especially Jewish Ashkenazic women, had a Renaissance. It details the participation in the Querelle des Femmes and Power of Women topos as expressed in this hagiographic work on the lives of biblical women including the apocryphal Judith. The Power of Women topos is discussed in the context of the reception of the Amazon myth in Jewish literature and the domestication of powerful female figures. In the Querelle our author pleads with husbands for generosity and respect for their wives’ piety. Whether women living in the Renaissance experienced a renaissance is a debate raging since Joan Kelly raised the possibility that this historic phenomenon essentially did not affect women. The question is raised with reference to the women depicted in Many Pious Women. These topics find their expression in a richly annotated translation with extensive introductory essays of a unique 16th–century manuscript in Western Yiddish (Judeo–German) written in Italy. The text will also be useful to scholars of the history of Yiddish and theorists of its development. Women everywhere, gender and Renaissance scholars, Yiddishists and linguists will all welcome this work now available for the very first time in the original text with an English translation.

Ferranate (English and comparative literature, Columbia U.) describes medieval women's activities as correspondents, readers, writers, and literary patrons from antiquity through the 14th century. The writings she considers range through virtually every field in historical and literary studies. Annotation copyrighted by Book News, Inc., Portland, OR