Suggests how the death of a friend, Victor Hartmann, inspired the music of Modest Mussorgsky in St. Petersburg in the 1870s.

A sweeping and sensuous novel of a son’s quest to recover his family’s lost masterpieces, looted by the Nazis during the occupation. Max Berenzon’s father is the most successful art dealer in Paris, owner of the Berenzon Gallery, home to both Picasso and Matisse. To Max’s great surprise, his father forbids him from entering the family business, choosing instead to hire a beautiful and brilliant gallery assistant named Rose Clément. When Paris falls to the Nazis, the Berenzons survive in hiding, but when they return in 1944 their gallery is empty, their priceless collection vanished. In a city darkened by corruption and black martketers, Max chases his twin obsessions: the lost paintings and Rose Clément.

A fascinating glimpse into the New York Public Library's historic image archive

Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future

Novel reviving the Freudian preoccupations and themes introduced in T̀he white hotel' alas, linking them to aspects of the cultural and political climate of the 90s.

Kevin Vanhoozer calls the church to a picture of theology that sees every person, thing and event in the light of God's act of reconciliation. Through essays on the church's worship, witness and wisdom, he reveals how a poetic imagination can answer the questions of life's meaning by drawing our attention to what really matters: the God of the gospel.

"Part I is a history of motion picture exhibition and the moviegoing experience in Baltimore from 1894 to the present. Part II lists theaters alphabetically and describes them in detail. Appendices list theaters by street address; provide a roster of the architects; and discuss theater architecture and personnel"--Provided by publisher.