Roberto Marchesini is an Italian philosopher and ethologist whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as Il dio Pan (1988), Il concetto di soglia (1996), Post-human (2002), Intelligenze plurime (2008), Epifania animale (2014), and Etologia filosofica (2016), he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to zooanthropological and phenomenological methods for understanding animal life. Centred on the dynamic and performative field of interactions and relations in the world, his critical and speculative approach to the cognitive life sciences offers a vision of animals as acting subjects and bearers of culture, whose action and agency is also indispensable to human culture. In tracing the ways in which we share our lives and histories with animals in different contexts of interaction, Marchesini’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the animal that most requires the present and input of other animals. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

The primary purpose of this book is to contribute to an overcoming of the traditional separation between humanties and life sciences which, according to the authors, is required today both by the developments of these disciplines and by the social problems they have to face. The volume discusses the theoretical, epistemological and ethical repercussions of the main acquisitions obtained in the last decades from the behavioral sciences. Both the authors are inspired by the concept of a “critical ethology”, oriented to archive the nature/culture and human/animal dichotomies. The book proposes a theoretical and methodological restructuring of the comparative study of the animal behavior, learning, and cultures, focused on the fact that thought, culture and language are not exclusively human prerogatives. The proposed analysis includes a critique of speciesism and determinism in the ethical field, and converge with the Numanities, to which the series is dedicated, on a key point: it is necessary to arrive at an education system able to offer scientific, social and ethical skills that are trasversal and transcendent to the traditional humanities/life sciences bipartition. Skills that are indispensable for facing the complex challenges of the contemporary society and promoting a critical reflection of humanity on itself.

Critical posthumanism is a theory paradigm that has become hugely influential across the humanities and social sciences in the last twenty years. This volume collects essays written over the last decade by one of the founders and leading figures of this movement. Originally a reaction to accelerated technological and media change that challenges traditional notions of what it means to be human, posthumanism (as opposed to transhumanism) has developed into a general critique and reappraisal of life after humanism and anthropocentrism. The essays collected here are dealing with aspects of education, technology, politics, media and art, and share a focus on how to critique and unlearn traditional understandings of humanness and (re)learn what it means to be human differently.

Vinciane Despret is a Belgian philosopher whose work proposes new questions and approaches to human-animal relations. Of central importance to her thought is an intellectual and cultural proposal to allow animals to show their agency and allow them to be interesting. With genuine curiosity, Despret looks at how humans and animals transform one another through daily encounters, and she explores these metamorphoses through an engagement with the history of philosophy, literature, science, field research, and art. In a playful though serious tone, Despret claims that animals are always more interesting than we give them credit for, and that the achievements of animals are never far from our own. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

This volume provides an overview of contemporary Italian philosophy from the perspective of animality. Its rationale rests on two main premises: the great topicality of both Italian contemporary philosophy (the so-called “Italian Theory”) and of the animal question (the so-called “animal turn” in the humanities and the social sciences) in the contemporary philosophical panorama. The volume not only intersects these two axes, illuminating Italian Theory through the animal question, but also proposes an original thesis: that the animal question is a central and founding issue of contemporary Italian philosophy. It combines historical-descriptive chapters with analyses of the theme in several philosophical branches, such as biopolitics, Posthumanism, Marxism, Feminism, Antispeciesism and Theology, and with original contributions by renowned authors of contemporary Italian (animal) philosophy. The volume is both historical-descriptive and speculative and is intended for a broad academic audience, embracing both Italian studies and Animal studies at all levels.

This book deals with the theme of creativity in the animal world, conceived as a basic function for adapting to specific situations and as a source of innovations and inventions. Creativity is a fundamental resource for the individual who always has a leading role in conduct. To explain creativity, the book focuses on the concept of animal subjectivity, providing a new explanatory model of behavior capable of overcoming the image of the animal moved by automatisms. This model does not use consciousness as a necessary condition, but is based: 1) on affective components, such as behavioral motives, and 2) cognitive, as tools used by the subject to carry out his purposes. Particular attention is paid to the learning processes showing the subjective character of the experience. One topic addressed is the role of creativity in the evolution of living beings: how an invention, by modifying the niche characteristics, is able to change the selective pressures and the trajectory of phylogeny. Roberto Marchesini explains that creativity is a factor that is anything but rare or exceptional in the animal world—it constitutes a fundamental quality for many aspects of animal life.

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human-animal relations. Throughout such important books as L’Animalité (1996), Les Origines animales de la culture (2001) and L’Animal singulier (2004), he offers a fierce critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.