'The Philanderer' begins with a young widow, Grace Tranfield, in love with Leonard Charteris, the 'philanderer' of the title. Grace is shocked to find that Charteris has been in a similar position with other women and learns that his affair with a woman named Julia has never been broken off. Charteris argues that it is not his fault that half the women he speaks to fall in love with him when suddenly Julia enters, has a wild outburst of emotions, attacks Grace, and announces her intention of staying until Charteris has given her up. Several interesting events follow the story of the "philanderer."

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - A lady and gentleman are making love to one another in the drawing-room of a flat in Ashly Gardens in the Victoria district of London. It is past ten at night. The walls are hung with theatrical engravings and photographs - Kemble as Hamlet, Mrs. Siddons as Queen Katharine pleading in court, Macready as Werner (after Maclise), Sir Henry Irving as Richard III (after Long), Miss Ellen Terry, Mrs. Kendal, Miss Ada Rehan, Madame Sarah Bernhardt, Mr. Henry Arthur Jones, Mr. A. W. Pinero, Mr. Sydney Grundy, and so on, but not the Signora Duse or anyone connected with Ibsen. The room is not a perfect square, the right hand corner at the back being cut off diagonally by the doorway, and the opposite corner rounded by a turret window filled up with a stand of flowers surrounding a statue of Shakespear. The fireplace is on the right, with an armchair near it. A small round table, further forward on the same side, with a chair beside it, has a yellow-backed French novel lying open on it. The piano, a grand, is on the left, open, with the keyboard in full view at right angles to the wall. The piece of music on the desk is "When other lips." Incandescent lights, well shaded, are on the piano and mantelpiece. Near the piano is a sofa, on which the lady and

Paddy is the charismatic film producer who has got used to having his cake and eating it. Joscelyn has tolerated her husband's philandering for years, and has always been confident that their unusual union is happy and secure. But when one of Paddy's girlfriends becomes pregnant all the relationships involved come under immense strain. Paddy has the competing demands of wife and mistress, and they come under threat from a third woman who is hoping to take both their places. There are difficult decisions to be made, and this prompts a dramatic end in which the Philanderer's Wife has to decide on the future of her marriage.

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