Armstrong suggests that James's perspective is essentially phenomenological--that his understanding of the process of knowing, the art of fiction, and experience as a whole coincides in important ways with the ideas of the leading phenomenologists. He examines the connections between phenomenology's theory of consciousness and existentialism's analyses of the lived world in relation to James's fascination with consciousness and what is commonly called his Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Rowe examines James from the perspectives of the psychology of literary influence, feminism, Marxism, psychoanalysis, literary phenomenology and impressionism, and reader-response criticism, transforming a literary monument into the telling point of intersection for modern critical theories.

This text presents a collection of 18 articles by Henry James on the social and political issues of his day. They focus on questions of gender and manners, religion and metaphysics, as well as grouping together all of his works on World War I.

In Henry James and the Language of Experience, Collin Meissner examines the political dimension to the representation of experience as it unfolds throughout James's work. Meissner argues that, for James, experience was a private and public event, a dialectical process that registered and expressed his consciousness of the external world. Adapting recent work in hermeneutics and phenomenology, Meissner shows how James's understanding of the process of consciousness is not simply an aspect of literary form; it is in fact inherently political, as it requires an active engagement with the full complexity of social reality. For James, the civic value of art resided in this interactive process, one in which the reader becomes aware of the aesthetic experience as immediate and engaged. This wide-ranging study combines literary theory and close readings of James's work to argue for a redefinition of the aesthetic as it operates in James's work.