This book describes the structure of modern Persia, showing the methods by which it conveys meaning in sentences and connected passages and illustrating its special characteristics. As an introduction there is a brief account of Persia, its inhabitants, their occupations and beliefs; some attempt is made also to show how the language has been modified by the events of Persian history. A section is devoted to representative writings.

This volume contains thirty-five translations of Persian poetry, arranged in five groups as well as two examples of prose translations from Arabic, which offer examples of ‘rhymed prose’ of which the earliest examples are to be found in the Koran. To help the reader, a substantial introduction on Persian poetry is included, as well as a personal memoir of the author by J B Atkins.

This book is the first full-length analysis of the theory and practice of Persian singing, demonstrating the centrality of Persian elements in the music of the Islamic Middle Ages, their relevance to both contemporary and traditional Iranian music and their interaction with classical Persian poetry and metrics.

‘Among the many national poets of historical Persia, Ferdowsi is perhaps the greatest...In this superb translation of the epic, the Western reader would not fail to discern clear equivalents of chapters in Genesis, The Odyssey, Paradise Lost or the Canterbury Tales.’ Islamic Review The Shah-nama is the national epic poem of Persia. Written in the tenth century it contains the country’s myths, legends and historic reminiscences. This edition makes available a valuable prose translation selecting the most representative parts of the original including the stories of Rustum, the giant hero and his son Sohrab.

Khayyam has been the subject of speculation on the part of literary critics ever since Edward Fitzgerald published his own version of the Rubaiyat in 1859. This edition represented the first opportunity to study in English the work of Khayyam by a Persian scholar. There is no conclusive evidence to prove which of the many quatrains attributed to Khayyam are authentic. Ali Dashti therefore constructs a likeness of the poet from references found in the works of writers of his day or immediately after, and from Khayyam’s own works on philosophy, mathematics and astronomy, of which the authenticity is not questioned. Khayyam emerges as a widely read and broad-minded scholar, immersed in his own studies, cautious and moderate, averse to committing himself on controversial questions. Using this portrait Dashti draws up a list of some hundred quatrains which are in keeping with Khayyam’s character. Selling point: An elegant and accurate translation which throws light on the nature of Khayyam’s religious and philosophical beliefs.

This volume contains thirty-five translations of Persian poetry, arranged in five groups as well as two examples of prose translations from Arabic, which offer examples of ‘rhymed prose’ of which the earliest examples are to be found in the Koran. To help the reader, a substantial introduction on Persian poetry is included, as well as a personal memoir of the author by J B Atkins.