The Persephone Theory By: Namir Thompson The Persephone Theory is one of the most interesting stories to read and by far one of the best books to mix comedy with horror and history. The Persephone Theory begins with the Greek myth coming to life as the goddess of harvest and fertility, Persephone, daughter of Zeus and Demeter, is taken by her uncle Hades to live in the underworld to become its queen, but is allowed to live amongst the humans possessing the one called Persephone. This Persephone is argent to those who love and hate her, and make all who stand in her way pay with their own blood. Persephone, mad at existence, leaves her children behind to face their own demands and are granted everlasting life. The children of Persephone roam on Earth, daring any and everything to stop them or die trying. They leave the message that power is being abused, people are being used as puppets, and that life is an everlasting cycle of rebirth and vengeance.

This fascinating book discusses the role played by psychoactive mushrooms in the religious rituals of ancient Greece, Eurasia, and Mesoamerica. R. Gordon Wasson, an internationally known ethnomycologist who was one of the first to investigate how these mushrooms were venerated and employed by different native peoples, here joins with three other scholars to discuss the evidence for his discoveries about these fungi, which he has called entheogens, or "god generated within."

Modernist Mysteries: Perséphone is a landmark study that will move the field of musicology in important new directions. The book presents a microhistorical analysis of the premiere of the melodrama Perséphone at the Paris Opera on April 30th, 1934, engaging with the collaborative, transnational nature of the production. Author Tamara Levitz demonstrates how these collaborators-- Igor Stravinsky, André Gide, Jacques Copeau, and Ida Rubinstein, among others-used the myth of Persephone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art. In investigating the aesthetic and political consequences of the artists' diverging perspectives, and the fall-out of their titanic clash on the theater stage, Levitz dismantles myths about neoclassicism as a musical style. The result is a revisionary account of modernism in music in the 1930s. As a result of its focus on the collaborative performance, this book differs from traditional accounts of musical modernism and neoclassicism in several ways. First and foremost, it centers on the performance of modernism, highlighting the theatrical, performative, and sensual. Levitz places Christianity in the center of the discussion, and questions the national distinctions common in modernist research by involving a transnational team of collaborators. She further breaks new ground in shifting the focus from "history" to "memory" by emphasizing the commemorative nature of neoclassic listening rituals over the historicist stylization of its scores, and contends that modernists captured on stage and in philosophical argument their simultaneous need and inability to mourn the past. The book as a whole counters the common criticism that neoclassicism was a "reactionary" musical style by suggesting a more pluralistic, ambivalent, and sometimes even progressive politics, and reconnects musical neoclassicism with a queer classicist tradition extending from Winckelmann through Walter Pater to Gide. Modernist Mysteries concludes that 1930s modernists understood neoclassicism not as formalist compositional approaches but rather as a vitalist art haunted by ghosts of the past and promissory visions of the future.

Without a doubt this is the most complete and well-researched book on Transpluto (Planet X) ever written. Valerie Vaughan presents her case for the existence of Planet X and goes further by offering an interpretation of its astrological influence and meaning. She argues that Transpluto should be named Persephone because its influence is feminine. She begins the book with descriptions of the circumstances of the discoveries of Uranus, Neptune, Pluto, and Chiron, all named for male deities and all symbolizing masculine functions. Included also is a 112-year ephemeris for Persephone/Transpluto.

Nautilus Award Winner In this empowering work, the bestselling author of The Hero Within and Awakening the Heroes Within speaks to the heroine in every woman, offering potent strategies to forge lives of greater happiness and fulfillment—through activating the archetypes inherent in the ancient Greek myth of Demeter and Persephone. Our era of professional and familial pressures, constant connection, and a renewed debate on “having it all” presents unprecedented challenges to contemporary women. In Persephone Rising, celebrated scholar of depth psychology and archetypes Carol S. Pearson brings a fresh vision for meeting those challenges and rising above them, as only she can. Drawing on her profound understanding of myth's enduring power to catalyze transformations, Pearson guides readers on a journey of self-discovery, teaching us how to activate and apply the archetypes of Demeter and Persephone, as well as Zeus and Dionysus, in our own lives— empowering readers to see the unexpected choices and opportunities available to us all. Illuminating ancient wisdom for a modern audience, Persephone Rising offers meaningful and effective strategies to answer the call to heroism in our own lives: to locate and harness the unique potential within each of ourselves, and ultimately to develop our own innate heroic gifts. Just as Demeter and Persephone discovered, in the midst of great difficulty, their own powers, gifts, and abilities for creating a better path not only for themselves, but the world, Persephone Rising teaches that each one of us has more options than choosing whether to lean in or out—we have the power to change ourselves, and thus our world.

In this modern version of the Greek myth, Persephone asks Hades for a ride to escape her overprotective mother, sneaks into the Underworld, and refuses to leave.

This exciting urban fantasy debut mixes a modern-day witch with a rock’n’roll werewolf boyfriend, pitted against a powerful vampire! Being a witch doesn’t pay the bills, but Persephone Alcmedi gets by between reading Tarot cards, writing her syndicated newspaper column, and kenneling werewolves in the basement when the moon is full—even if witches aren’t supposed to mingle with wolves. She really reaches the end of her leash, though, when her grandmother gets kicked out of the nursing home and Seph finds herself in the doghouse about some things she’s written. Then her werewolf friend Lorrie is murdered...and the high priestess of an important coven offers Seph big money to destroy the killer, a powerful vampire named Goliath Kline. Seph is a tough girl, but this time she bites off more than she can chew. She needs a little help from her friends—werewolf friends. One of those friends, Johnny, the motorcycle-riding lead singer for the techno-metal-Goth band Lycanthropia, has a crush on her. And while Seph has always been on edge around this 6’2” leather-clad hunk, she’s starting to realize that although their attraction may be dangerous, nothing could be as lethal as the showdown that awaits them.