The Performance of Pleasure in English Renaissance Drama

The Performance of Pleasure in English Renaissance Drama
Title The Performance of Pleasure in English Renaissance Drama PDF eBook
Author R. Huebert
Publisher Springer
Pages 229
Release 2003-08-19
Genre Literary Criticism
ISBN 0230503160

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Offering new and theatrically informed readings of plays by a broad range of Renaissance dramatists - including Marlowe, Jonson, Marston, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic pleasure as experienced by readers and spectators. Some of the issues raised (the distribution of pleasure by gender, the notion of consent) intersect with feminist reinterpretations of Renaissance culture.

English Renaissance Drama: A Very Short Introduction to Theatre and Theatres in Shakespeare's Time

English Renaissance Drama: A Very Short Introduction to Theatre and Theatres in Shakespeare's Time
Title English Renaissance Drama: A Very Short Introduction to Theatre and Theatres in Shakespeare's Time PDF eBook
Author C W R D Moseley
Publisher Humanities-Ebooks
Pages 183
Release
Genre Literary Criticism
ISBN 1847601839

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Introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes to theatre and to players, and what audiences expected of both, are explored in the contexts of the constraints of the acting space and the political culture. The book then looks at the structure and dynamics of the theatrical companies before concluding with a discussion of the genres of plays and the expectations of them that people (including writers) held. Appendices list brief details of the major dramatists of the time, and summarise the main historical and dramatic events.

Medieval and Renaissance Drama in England, vol. 30

Medieval and Renaissance Drama in England, vol. 30
Title Medieval and Renaissance Drama in England, vol. 30 PDF eBook
Author S.P. Cerasano
Publisher Associated University Presse
Pages 248
Release 2017-09-30
Genre Literary Criticism
ISBN 0838644848

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Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to drama and theatre history to 1642. Volume 30, an anniversary issue, contains eight essays, three review essays, and 12 briefer reviews of important books in the field.

In Words and Deeds

In Words and Deeds
Title In Words and Deeds PDF eBook
Author Zenón Luis Martínez
Publisher Rodopi
Pages 308
Release 2002
Genre Drama
ISBN 9789042008441

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Departing from earlier studies which regarded incest as a literary topos or dramatic metaphor foregrounding political, social, or legal issues, Words and deeds argues that the presence of incest on the Renaissance stage is a strategy for the enactment of the spectator's tragic experience. Incest is explored neither as a sin nor as a crime, but as an unspeakable experience filtered through dramatic words and deeds.

When the Bad Bleeds

When the Bad Bleeds
Title When the Bad Bleeds PDF eBook
Author Imke Pannen
Publisher V&R unipress GmbH
Pages 340
Release 2010
Genre Drama
ISBN 389971640X

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Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.

The End of Satisfaction

The End of Satisfaction
Title The End of Satisfaction PDF eBook
Author Heather Hirschfeld
Publisher Cornell University Press
Pages 244
Release 2014-04-17
Genre Literary Criticism
ISBN 0801470625

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In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots "to set things right" in a world shorn of the prospect of "making enough" (satisfacere).Hirschfeld’s semantic history traces today’s use of "satisfaction"—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.

Emotion and the Self in English Renaissance Literature

Emotion and the Self in English Renaissance Literature
Title Emotion and the Self in English Renaissance Literature PDF eBook
Author Paul Joseph Zajac
Publisher Cambridge University Press
Pages 241
Release 2022-12-22
Genre Literary Criticism
ISBN 1009271687

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This book offers the first full-length study of early modern contentment, the emotional and ethical principle that became the gold standard of English Protestant psychology and an abiding concern of English Renaissance literature. Theorists and literary critics have equated contentedness with passivity, stagnation, and resignation. However, this book excavates an early modern understanding of contentment as dynamic, protective, and productive. While this concept has roots in classical and medieval philosophy, contentment became newly significant because of the English Reformation. Reformers explored contentedness as a means to preserve the self and prepare the individual to endure and engage the outside world. Their efforts existed alongside representations and revisions of contentment by authors including Sidney, Spenser, Shakespeare, and Milton. By examining Renaissance models of contentment, this book explores alternatives to Calvinist despair, resists scholarly emphasis on negative emotions, and reaffirms the value of formal concerns to studies of literature, religion, and affect.