In 1994, at the age of twenty-five, when the "terrible brokenness that comes with sexual assault" was folded deep within her body and thoughts of suicide were always close by, Erin Manning wrote The Perfect Mango at an almost feverish pitch: nineteen chapters in nineteen days, a sort of self-rescue operation, where writing became a form of making (and feeling) life otherwise. Throughout those nineteen days, and although not able to fully articulate it to herself at the time, Manning wrote her way into a "composition that asks how else life might be lived." And in the rhythms of that composition, which was also a living, Manning was, and is, able to refuse the category and norm and stillness of "victim" (while still understanding the inheritances of violence) in order to follow instead the more-than-I as well as the joy of the "more-than of experience in the making." Twenty-five years later, Manning allows these earlier writings to find their way back into the world, which is also a way of giving "voice to those moments of messy survival" while also asking us, who share in (and help to bear) those moments as readers, to consider "other ways of listening to the urgency that is living." To (re)publish the book now is to give it a place in the world in a way that honors its force as something that is always beyond anyone's claim to it, even Manning's. In this sense, The Perfect Mango invites us, with Manning, to be in excess of ourselves, and also to consider, in Manning's words, "how to create conditions for living beyond humanism's fierce belief that we, the privileged, the neurotypicals, the as-yet-unscathed, the able-bodied, hold the key to all perspectives in the theatre of living." Ultimately, The Perfect Mango and Manning's reflections on its composition ask us to consider living "in the fierce celebration of a world invented by those modes of life which tear at the colonial, white, neurotypical fabric of life as we know it." "The Perfect Mango is a book about the body, about learning to see it as an entity that has no end, something that is never permanently marked by the violence of history, that can swim into a new skin. The sexual trauma that haunts this book is being painted and purged across its pages, and the young woman who refuses to remain caught in the capture of trauma is also learning to feed herself, to become a body-being that will endure in new forms and through new forms of mutual making. I know this girl, for she is many. I love this girl, as I love us all-we misfits whose hurt provokes us to live through other styles and modes of becoming-together." (Julietta Singh, "Afterward," The Perfect Mango) "How to confront victimization, while refusing the role of the victim? How, after trauma and abuse, can one regain a sense of life's possibilities and plunge headlong into their pursuit, without defensively hardening the boundaries of the self? Without immunizing it against the outside, knowing that it is in the great outside of the world's roil and commotion that potential radically resides - tooth-to-jowl with continued danger? How to grapple with the horrors of the past, without paradoxically binding oneself to them in a Sisyphian attempt to exorcize them through feats of memory and analysis (terminable or interminable)? How, not to own the past, but repossess the future of that past? In The Perfect Mango, Erin Manning charts a path of resistance, resilience, and journeying toward health that is starkly different from the currently dominant identity-based strategies. She writes survival, in what can best be described as a fabulatory autobiography that is rooted in real events but opens them up to each other, and out to a different future. The path is signposted with a motto, implicit here, subsequently expressed in the title of one of her works of philosophy: always more than one. If this is me ... what else? If this is life ... once more!" (Brian Massumi)

An award-winning book from the author of Jeremy Fink and the Meaning of Life and The Candymakers for fans for of Wonder and Counting by Sevens Mia Winchell has synesthesia, the mingling of perceptions whereby a person can see sounds, smell colors, or taste shapes. Forced to reveal her condition, she must look to herself to develop an understanding and appreciation of her gift in this coming-of-age novel.

Drawing from a lifetime of cooking, Hilah Johnson (host of the popular internet cooking series, Hilah Cooking) has produced a beginners cookbook for today's young (and young-at-heart) adults. Featuring a casual straightforward style and a focus on fresh, simple recipes "Learn to Cook" will appeal to anyone who loves to eat. Inside you'll find chapters on menu planning, knife skills, shopping, kitchen equipment (including the only three tools you "really" need), and more. Plus, a comprehensive spice chart and over 150 recipes from breakfast to dinner to the snacks in between.

“Mango is as delightful as her middle name indicates, and middle-grade readers will easily recognize their own experiences in her friendship struggles.” —Booklist (starred review) What happens when your BFF becomes your EFF . . . EX-Friend-Forever? When seventh-grader Mango Delight Fuller accidentally breaks her BFF Brooklyn’s new cell phone, her life falls apart. She loses her friends and her spot on the track team, and even costs her father his job as a chef. But Brooklyn’s planned revenge—sneakily signing up Mango to audition for the school musical—backfires when Mango not only wins the lead role, but becomes a YouTube sensation and attracts the attention of the school’s queen bee, Hailey Jo. Hailey Jo is from a VERY wealthy family, and expects everyone to do her bidding. Soon Mango finds herself forced to make tough choices about the kind of friend she wants to have . . . and, just as important, the kind of friend she wants to be.

Winner of the 2018 James Beard Foundation Book Award (Baking and Desserts) A New York Times bestseller and named a Best Baking Book of the Year by the Atlantic, the Wall Street Journal, the Chicago Tribune, Bon Appétit, the New York Times, the Washington Post, Mother Jones, the Boston Globe, USA Today, Amazon, and more. "The most groundbreaking book on baking in years. Full stop." —Saveur From One-Bowl Devil’s Food Layer Cake to a flawless Cherry Pie that’s crisp even on the very bottom, BraveTart is a celebration of classic American desserts. Whether down-home delights like Blueberry Muffins and Glossy Fudge Brownies or supermarket mainstays such as Vanilla Wafers and Chocolate Chip Cookie Dough Ice Cream, your favorites are all here. These meticulously tested recipes bring an award-winning pastry chef’s expertise into your kitchen, along with advice on how to “mix it up” with over 200 customizable variations—in short, exactly what you’d expect from a cookbook penned by a senior editor at Serious Eats. Yet BraveTart is much more than a cookbook, as Stella Parks delves into the surprising stories of how our favorite desserts came to be, from chocolate chip cookies that predate the Tollhouse Inn to the prohibition-era origins of ice cream sodas and floats. With a foreword by The Food Lab’s J. Kenji López-Alt, vintage advertisements for these historical desserts, and breathtaking photography from Penny De Los Santos, BraveTart is sure to become an American classic.

Kama and his sister Nani love to climb the giant mango tree at their grandpa's house. After Grandpa asks them to pick some mangos, he has too many and sends Kama and Nani to share some with the neighbors, who give them goodies in return for their generosity.

Francisco is finally old enough to journey to the mango grove all by himself to gather the mangoes for a special dinner. But bees swarm the fruit, and Francisco has trouble picking them from the tree. He returns to his father several times, and each time his father shares a different proverb to inspire Francisco to continue trying. "Querer es poder. Where there's a will, there's a way!" Finally, Francisco is able to gather some mangoes, and on his way home he stops to visit his uncle, grandmother, and aunt. Francisco shares his mangoes with them, and by the time he gets home he no longer has any! "Es mejor dar que recibir. Sometimes it's better to give than to receive." Luckily for Francisco, his generosity does not go unnoticed. "Amor con amor se paga. Love is repaid with love." Readers are sure to be charmed by this humorous story about problem solving and sharing. The book includes a glossary of Spanish words. Praise for A Mango in the Hand "A "story told through proverbs" could easily go terribly wrong, but this sweet tale succeeds beautifully. This smoothly written family story is filled with warmth and humor and incorporates a blending of well-placed proverbs in both Spanish and English to drive the story's themes. Digitally colored pencil-and-ink cartoon drawings reflect the lush greens of summertime and outdoor living in this intergenerational barrio." -Kirkus Reviews