New Essays on Plato assembles nine original papers on the language and thought of the Athenian philosopher. The collection encompasses issues from the Apology to the Laws and includes discussions of topics in ethics, political theory, psychology, epistemology, ontology, physics and metaphysics, and ancient literary criticism. The contributions by an international team of scholars represent a spectrum of diverse traditions and approaches, and offer new solutions to a selection of specific problems. Themes include the Happiness and Nature of the Philosopher-Kings, Law and Justice, the Tripartition of the Soul, Appearance and Belief, Conditions of Recognition, Ousia or What Something Is, the Reality of Change and Changelessness, Time and Eternity, and Aristotle on Plato.

My name is Sath... My name is Sathariel, actually. I am one of those who people call ha-Satan. Yes, it means “adversary” in Aramaic and yes, it is “adversary of God”. But for some reason, everyone has forgotten that those who you nicknamed like this, were first and foremost the defenders of people, who stand by you before a Heavenly court. It was providence we didn’t choose. It was decided instead for us. You, people, have given us many names, but none of them was correct, and you people, have given us functions completely unfamiliar to us. We were deities to you at first, then we became the outcasts. And we were Iyrin, the Watchers, who guard and protect you. And who decides if we’ve done our jobs well? It would be foolish to make excuses now. Who am I to do this? My name is Sathariel and it means “the one who is on the other side of God”. But I’m just an archivist who writes time. Every moment of time, from the beginning of time. Who am I? I’m just one of the Brethren, one among two hundred of “the fallen”. But now... now I want to tell you our real story.

Asian American literature abounds with complex depictions of American cities as spaces that reinforce racial segregation and prevent interactions across boundaries of race, culture, class, and gender. However, in Cities of Others, Xiaojing Zhou uncovers a much different narrative, providing the most comprehensive examination to date of how Asian American writers - both celebrated and overlooked - depict urban settings. Zhou goes beyond examining popular portrayals of Chinatowns by paying equal attention to life in other parts of the city. Her innovative and wide-ranging approach sheds new light on the works of Chinese, Filipino, Indian, Japanese, Korean, and Vietnamese American writers who bear witness to a variety of urban experiences and reimagine the American city as other than a segregated nation-space. Drawing on critical theories on space from urban geography, ecocriticism, and postcolonial studies, Zhou shows how spatial organization shapes identity in the works of Sui Sin Far, Bienvenido Santos, Meena Alexander, Frank Chin, Chang-rae Lee, Karen Tei Yamashita, and others. She also shows how the everyday practices of Asian American communities challenge racial segregation, reshape urban spaces, and redefine the identity of the American city. From a reimagining of the nineteenth-century flaneur figure in an Asian American context to providing a framework that allows readers to see ethnic enclaves and American cities as mutually constitutive and transformative, Zhou gives us a provocative new way to understand some of the most important works of Asian American literature.