Numerous spatial biases influence navigation, interactions, and preferences in our environment. This volume considers their influences on perception and memory.

This special issue examines the basic processes of space perception and how these processes interact with action planning and motor control.

This book explores a central question in the study of depth perception - 'does the visual system rely upon objective knowledge and subjective meaning to specify visual depth?' Linton advances an alternative interpretation to the generally accepted affirmative answer, according to which many of the apparent contributions of knowledge and meaning to depth perception are better understood as contributions to our post-perceptual cognition of depth. In order to defend this position a new account of visual cognition is required, as well as a better understanding of the optical and physiological cues to depth. This book will appeal to students and researchers in psychology, vision science, and philosophy, as well as technologists and content creators working in virtual and augmented reality.

A renewed interest in the study of vision has attracted scholars from such diverse fields as neuroscience, computer science, mathematics, physics and philosophy. At the same time, the development of imaging devices and popularization of stereoscopic effects has increased student interest in vision. This primer provides an overview of the principles of space perception in a handbook format that should appeal to researchers as well as students. Topics covered include geometrical and distal-proximal relationships, spatial localization, stereopsis, cyclopean perception, stimulus inadequacy, pictorial cues, perceived size and shape, Gibsonian psychophysics, lateral motion, motion in depth, perceived object motion, and motion detection.

During the past 25 years, the field of space and motion perception has rapidly advanced. Once thought to be distinct perceptual modes, space and motion are now thought to be closely linked. Perception of Space andMotion provides a comprehensive review of perception and vision research literature, including new developments in the use of sound and touch in perceiving space and motion. Other topics include the perception of structure from motion, spatial layout,and information obtained in static and dynamic stimulation.Spatial layoutStructure from motionInformation on static and dynamic stimulation (visual, acoustic, and haptic)

These essays tackle some of the central issues in visual cognition, presenting experimental techniques from cognitive psychology, new ways of modeling cognitive processes on computers from artificial intelligence, and new ways of studying brain organization from neuropsychology, to address such questions as: How do we recognize objects in front of us? How do we reason about objects when they are absent and only in memory? How do we conceptualize the three dimensions of space? Do different people do these things in different ways? And where are these abilities located in the brain? While this research, which appeared as a special issue of the journal Cognition, is at the cutting edge of cognitive science, it does not assume a highly technical background on the part of readers. The book begins with a tutorial introduction by the editor, making it suitable for specialists and nonspecialists alike.

The space we see around us is the end product of a long series of processes: physical, physiological, and cognitive. It is a highly structured perceptual entity. In contrast to the fact that most studies of visual perception are concerned with local phenomena in this visual space, the main purpose of this book is to discuss the global structure of visual space. The physical space which surrounds us is of Euclidean structure, but its perceived image is not necessarily structured in that way. Problems such as why the sky appears as a vault and why the horizon is located at eye level are discussed in the book.