'The People's Poet Transformed is a gem of a book positioned beautifully to engage young people with language so that they see how powerful literature can be created out of everyday life, deeply and sensitively observed. Road-tested by teachers, it encourages students to become creators of ideas and texts and to use language to transform both texts and their own view of themselves as people with stories worth hearing.' - Garry Costello, Former secondary principal, English teacher and Chief Education Officer for DECD, South Australia 'Geoff Goodfellow has been an outspoken voice in schools over many years, engaging thousands of students through his poems to think about contemporary issues with his honesty, passion and wit. This wonderful publication combines Geoff's powerful poetry and prose with Rebecca Bond's creative teaching practice to provide excellent approaches to the compulsory Transformation Task in the new SACE Stage 1 English course, as well as Stage 2 English Literary Studies.' - Alison Robertson, Pesident, South Australian Teachers' Association 'To see Geoff Goodfellow perform is to be caught up in vignettes of experience and observation that become dramatically real. Geoff's collaboration with educator Rebecca Bond is that rare find - an engaging and accessible text that actually works in the classroom. The People's Poet Transformed is worthy of immediate use by teachers and students; directly relevant to Senior English, Geoff's new book will quickly become a "go to" resource for those seeking inspiration for any transformative task.' - Richard Noone, Curriculum Leader English, Westminster School, South Australia 'Geoff Goodfellow knows all about transformation. His poetry unerringly conveys a multiplicity of profound messages to those from any place or background - important human messages of life, death, love, hate, despair, hope, sadness and joy, transformative emotions all. Maybe, just maybe, burrowing deep into this wonderful new book will assist you with your own incredible, life-affirming personal transformation! Let's open it and find out ...' - Lloyd Cook, English Senior, Geelong Grammar, Victoria

An expansive, moving poetry anthology, representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club. "Poets I know sometimes joke that the poetry club at Oak Park River Forest High School is the best MFA program in the Chicagoland area. Like all great jokes, this one is dead serious." -Eve L. Ewing, award-winning poet, playwright, scholar, and sociologist For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, "It's a call of pride and history and tradition and hope." This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan "Sully" Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more. In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together.

Sometimes only a poem will do. These poetic prescriptions and wise words of advice offer comfort, delight and inspiration for all; a space for reflection, and that precious realization - I'm not the only one who feels like this. In the years since he first had the idea of prescribing short, powerful poems for all manner of spiritual ailments, William Sieghart has taken his Poetry Pharmacy around the length and breadth of Britain, into the pages of the Guardian, onto BBC Radio 4 and onto the television, honing his prescriptions all the time. This pocket-sized book presents the most essential poems in his dispensary- those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness, or even from an excess of ego, there is something here to ease your pain.

A dazzling collection of essays on how the best poems work, from the master poet and popular essayist "Poetry," Jane Hirshfield has said, "is language that foments revolutions of being." In ten eloquent and highly original explorations, she unfolds some of the ways this is done--by the inclusion of hiddenness, paradox, and surprise; by a perennial awareness of the place of uncertainty in our lives; by language's own acts of discovery; by the powers of image, statement, music, and feeling to enlarge in every direction. Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among others, Hirshfield reveals how poetry's world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged.

The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

At the height of his career in the 1970s, Ismael Rivera shared the stage with salsa greats such as Benny Moré, Tito Puente and Celia Cruz, and is recognized as one, if not the most, important figure in this music. The People's Poet tells the fascinating story of Ismael Rivera's life and the development of his iconic image among the African diaspora. He revolutionized tropical music with his unique singing style and improvisational skills. Today, however, few people in the mainstream U.S. have ever heard of him, but he is lionized in various Afro-Caribbean communities as a bastion of cultural nationalism and Pan-Africanism. Rivera's life story resounds with the imperative issues in Puerto Rican history from the 1930s to the 1980s. This well-researched book uncovers new information about Rivera and includes many archival illustrations.

A fascinating blend of poetry and science, Ben-Oni’s poems are precisely crafted, like a surgeon sewing a complicated stitch. The speaker of the collection falls ill, and takes comfort in exploring the idea of “Efes” which is “zero” in Modern Hebrew, using that nullification to be a means of transformation.