An excellent collection of speeches and articles by the General Secretary of the Communist International, Georgi Dimitrov, on the United Front and the fight against fascism and war. This selection of Dimitrov's speeches and articles is essential to understanding the United Front policy of the Communist International and the true character of fascism. This book is essential in modern times with the growth in many countries of the militant forces of fascism and fascist rhetoric. A must read for all those truly interested in the final defeat of fascism.

This is the first full-length study in English of the Popular Front, the left-wing coalition which emerged in France during the 1930s in response to the threat of fascism and which went on to win the elections of 1936, giving France her first socialist premier, Léon Blum. After a brief narrative history of the Popular Front the book is organised thematically around the main historiographical debates to which the Popular Front has given rise. Among the issues considered are the origins of the strikes of 1936, the reasons for the failure of the Popular Front economic policy, the relationship between culture and politics in France in the 1930s and the causes of France's policy of non-intervention in the Spanish Civil War. The book views the Popular Front at three levels - as a mass movement, political coalition and government - and argues that it must not be seen just as a narrowly political phenomenon but as a political, social and cultural explosion which attempted to break down the barriers between all areas of human activity in the highly compartmentalised society of France in the 1930s. Even if the Popular Front ultimately failed in this aim it has acquired legendary status in France, and the epilogue to the book briefly examines the 'myth' of the Popular Front from 1936 to the present day.

The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.

As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.

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