Soul searching was an unfamiliar exercise to Bill Stratton, and he found it intriguing as well as painful. He hadn't had much occasion for it in his life, given that he was fairly shallow, but then, on the verge of his sixtieth birthday, his wife told him she was leaving him for another man. He'd been under the impression they had a happy marriage. She assured him that for nearly forty years, in fact since the second week of their honeymoon, she'd known she was married to the wrong person. This all came as a bit of a shock to Bill. Hence the soul searching. Brought up to be a responsible sort of chap, and hitting young adulthood just the wrong side of the sixties, Bill had not had much experience of dating (or sex, for that matter) before he met and married Andrea. Post menopausal dating might be very different to dating in your twenties or thirties, but then he didn't know much about either scene. Still, as a mildly famous television newsreader who'd managed to hold on to (most of) his looks, it seemed he was about to have plenty of opportunities to find out. Simon Brett is the winner of The CWA Diamond Dagger 2014.

On the verge of his sixtieth birthday, Bill's wife told him she was leaving for another man. He thought they had a happy marriage. She assured him that since the second week of their honeymoon, she'd known she'd married the wrong person. This all comes as a shock to Bill who must discover post-menopausal dating and sex.

Ever since legwarmers were cool, best friends Tara, Katherine, and Fintan have survived small-town ennui, big-city heartbreak, and endless giddy nights out on the town. But now that they've graduated to their slightly more serious thirties, only Fintan has what can honestly be called a "love life." With Tara struggling daily with her eternal diet—and her dreadful, penny-pinching boyfriend—and Katherine keeping her single existence as organized as her drawer full of matching bra and panty sets, it seems they'll never locate the exit door out of the "last chance saloon." But it's always when you are least ready for change that fate insists on one. And when catastrophe inevitably follows crisis, the lives of three best friends are sure to change in unexpected ways ... and not necessarily for the worse. You devoured the hilarious antics of Claire in Watermelon. You laughed 'til you cried in Lucy Sullivan Is Getting Married. You took a vacation gone mad in Rachel's Holiday. You flew away with Margaret—good girl gone bad—in Angels. You got a peek inside the cutthroat world of women's fashion magazines in Sushi for Beginners. Now, raise your glass to Tara, Katherine, and Fintan in Last Chance Saloon.

The red warning light on her car dashboard drove Lainie Davis to seek help in the tiny town of Last Chance, New Mexico. But as she encounters the people who make Last Chance their home, it's her heart that is flashing bright red warning lights. These people are entirely too nice, too accommodating, and too interested in her personal life for Lainie's comfort--especially since she's on the run and hoping to slip away unnoticed. Yet in spite of herself, Lainie finds that she is increasingly drawn in to the dramas of small town life. An old church lady who always has room for a stranger. A handsome bartender with a secret life. A single mom running her diner and worrying over her teenage son. Could Lainie actually make a life in this little hick town? Or will the past catch up to her even here in the middle of nowhere? Cathleen Armstrong pens a debut novel filled with complex, lovable characters making their way through life and relationships the best they can. Her evocative descriptions, observational humor, and talent at rendering romantic scenes will earn her many fans.

Peter Brown’s haunting photographs of the high plains, interspersed with Kent Haruf’s narratives of the people who live there. West of Last Chance is a unique collaboration between celebrated photographer Peter Brown and award-winning author Kent Haruf. The result is a profound visual/verbal dialogue of short prose pieces and large-format color images that brings to life this sometimes brutal and incredibly beautiful part of the country. Awarded the Dorothea Lange–Paul Taylor Prize by the Center for Documentary Studies at Duke University for this project in 2005, the authors write: “Our interest in this part of the world is contemporary but also includes its history and a mix of stories that have passed down over the years, stories that resonate with the land in interesting ways.” It is an evocative work concerned with “moments that describe the beauty, power, tragedy, and cultural complexity of the place itself: the way the land has been used, the way people have lived on it, and the visual record that has been left behind.”

Serialized in Esquire, A.A. Gill's Pour Me a Life is a riveting meditation on the author's alcoholism, seen through the lens of the memories that remain, and the transformative moments that saved him from a lifelong addiction and early death. “Pour Me a Life is an unapologet­ically honest, raw, and often har­rowing account of the life of a man who, up until now, we only thought we knew. Here is A.A. Gill at his best. A real-life Bright Lights, Big City.” —Eric Ripert, chef and co-owner of Le Bernardin, and author of the New York Timesbestseller 32 Yolks Best known for his hysterically funny and often scathing restaurant reviews for the London Sunday Times, A.A. Gill’s Pour Me a Life is a riveting memoir of the author’s alcoholism, seen through the lens of the memories that remain, and the transformative moments in art, food, religion, and family that saved him from a lifelong addiction and early death. By his early twenties, at London’s prestigious Saint Martin’s art school, journalist Adrian Gill was entrenched in alcoholism. He writes from the handful of memories that remain, of drunken conquests with anonymous women, of waking to morbid hallucinations, of emptying jacket pock­ets that “were like tiny crime scenes,” helping him puzzle his whereabouts back together. Through­out his recollections, Gill traces his childhood, his early diagnosis of dyslexia, the deep sense of isolation when he was sent to boarding school at age eleven, the disappearance of his only brother, whom he has not seen for decades. When Gill was confronted at age thirty by a doctor who questioned his drinking, he answered honestly for the first time, not because he was ready to stop, but because his body was too dam­aged to live much longer. Gill was admitted to a thirty-day rehab center—then a rare and revolu­tionary concept in England—and has lived three decades of his life sober. Written with clear-eyed honesty and empathy, Pour Me a Life is a haunting account of addiction, its exhilarating power and destructive force, and is destined to be a classic of its kind.

Hannah, a woman in her sixties, thought she had found her last chance at love with Joe. But everything changes when Eamonn, an actor more than twenty years her junior, moves to their village, leaving behind his Hollywood lifestyle and a toxic marriage. Eamonn has returned to Ireland to be closer to his terminally ill father and is in search of inner tranquillity. He finds this with Hannah, who can offer him the peace and security that he needs. Despite Eamonn being smitten with Hannah, she resists him, feeling a little suspicious of his advances and questioning his motives. As well as having loyalty to Joe, she also carries the memory of a past trauma that has prevented her from enjoying her life to the full. Can Hannah forget her fears and suspicions and finally allow herself to be happy with Eamonn? A heart-warming story of love, healing and second chances set in Ireland.