Lela knows two things: her history teacher must die and she must start a new life beyond the pear field. On the outskirts of Tbilisi, in a newly independent Georgia, is the Residential School for Intellectually Disabled Children – or, as the locals call it, the School for Idiots. Abandoned by their parents, the pupils here receive lessons in violence and neglect. At eighteen, Lela is old enough to leave, but with nowhere to go she stays and plans, both for her own escape and for the future she hopes to give Irakli, a young boy at the school. When a couple from the USA decide they want to adopt a child, Lela is determined to do everything she can to help Irakli make the most of this chance.

Claire Keegan’s brilliant debut collection, Antarctica, was a Los Angeles Times Book of the Year, and earned her resounding accolades on both sides of the Atlantic. Now she has delivered her next, much-anticipated book, Walk the Blue Fields, an unforgettable array of quietly wrenching stories about despair and desire in the timeless world of modern-day Ireland. In the never-before-published story “The Long and Painful Death,” a writer awarded a stay to work in Heinrich Böll’s old cottage has her peace interrupted by an unwelcome intruder, whose ulterior motives only emerge as the night progresses. In the title story, a priest waits at the altar to perform a marriage and, during the ceremony and the festivities that follow, battles his memories of a love affair with the bride that led him to question all to which he has dedicated his life; later that night, he finds an unlikely answer in the magical healing powers of a seer. A masterful portrait of a country wrestling with its past and of individuals eking out their futures, Walk the Blue Fields is a breathtaking collection from one of Ireland’s greatest talents, and a resounding articulation of all the yearnings of the human heart.

Expanding Fields of Architectural Discourse and Practice presents a selection of essays, architectural experiments and works that explore the diversity within the fields of contemporary architectural practice and discourse. Specific in this selection is the question of how and why architecture can and should manifest in a critical and reflective capacity, as well as to examine how the discipline currently resonates with contemporary art practice. It does so by reflecting on the first 10 years of the architectural journal, P.E.A.R. (2009 to 2019). The volume argues that the initial aims of the journal – to explore and celebrate the myriad forms through which architecture can exist – are now more relevant than ever to contemporary architectural discourse and practice. Included in the volume are architectural practitioners, design researchers, artists, architectural theorists, historians, journalists, curators and a paleobiologist, all of whom contributed to the first seven issues of the journal. Here, they provide a unique presentation of architectural discourse and practice that seeks to test new ground while forming distinct relationships to recent, and more longstanding, historical legacies. Praise for Expanding Fields of Architectural Discourse and Practice 'The story told by the authors of this work can thus be considered as the central tool of an architectural transgression.' Critique d’art

"First published in the United Kingdom by Ebury Press in 2015."--Title page verso.

At last, a field guide to identifying and selecting more than 200 fruits and vegetables from around the world! The perfect companion for every shopper, Field Guide to Produce offers tips for selecting, storing, and preparing everything from apples to zucchini. When an unfamiliar edible appears on your grocer’s shelf, simply flip through the full-color insert until you’ve found its photograph. Turn to the corresponding page to discover its country of origin, common uses, and season of harvest. This practical guide includes more than 200 full-color photographs of the world’s most popular fruits and vegetables, cross-referenced to in-depth descriptions and selection tips. Step-by-step preparation directions tell you whether the item must be peeled, washed, trimmed, or blanched. Grocery shopping—and dinner—will never be the same again!

Here is one of the most remarkable, ambitious, and utterly original memoirs of this generation, a story of the losing and finding of self, of sex and love and fatherhood and the joy of language, of death and failure and heartbreak, of Los Angeles and Portland and Nicaragua and Mexico, and the shifting sands of place and meaning that can make up a culture, or a community, or a home. Faced with the collapse of his son’s Little League program–consisting mostly of Latino kids in the largely Asian suburb of Monterey Park, California–Jesse Katz finds himself thrust into the role of baseball commissioner for La Loma Park. Under its lights the yearnings and conflicts of a complex immigrant community are played out amid surprising moments of grace. Each day–and night–becomes a test of Jesse’s judgment and adaptability, and of his capacity to make this peculiar pocket of L.A.’s Eastside his home. While Jesse soothes egos, brokers disputes, chases down delinquent coaches and missing equipment, and applies popsicles to bruises, he forms unlikely alliances, commits unanticipated errors, and receives the gift of unexpected wisdom. But there’s no less drama in Jesse’s complicated personal life as he grapples with a stepson who seems destined for trouble, comforts his mother (a legendary Oregon politician) when she’s stricken with cancer, and receives hard lessons in finding–and holding on to–the love of a good woman. Through it all, Jesse’s emotional mainstay is his beloved son, Max, who quietly bests his father’s brightest hopes. Over nine springs and summers with Max at La Loma, Jesse learns nothing less than what it takes to be a father, a son, a husband, a coach, and, ultimately, a man. This is an epic book, a funny book, a sexy book, a rapturously evocative and achingly poignant book. Above all it is true, in that it happened, but also in a way that transcends mere facts and cuts to the quick of what it means to be alive.

Adelmo Farandola doesn't like people. In summer he roams the valleys, his only company a talkative, cantankerous old dog and a young mountain ranger who, Adelmo Farandola suspects, is spying on him. When winter comes, man and dog are snowed in. With stocks of wine and bread depleted, they pass the time squabbling over scraps, debating who will eat the other first. Spring brings a more sinister discovery that threatens to break Adelmo Farandola's already faltering grip on reality: a man's foot poking out of the receding snow.