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An exploration of the relationships between religion, performance, and life. Part I is set in 1575 in an English village whose traditional annual passion-play is about to be outlawed by Queen Elizabeth's anti-Catholic rulings; Part II is set in Oberammergau, 1934, as the town and the play are becoming Nazified; Part III takes place in an American small town from 1969 through the Reagan era and the present.

In 1932, Josef Meier, a native of Luenen, Germany, brought a small company of actors to the United States to tour with a passion play. It was performed in German, destined for a limited engagement in German theaters, churches, and German-speaking communities. Political and economic conditions in Germany were already deteriorating during this time, and Meier determined to remain in America, to found a permanent home for the play. He translated the play into English, hiring American actors to replace the German-speaking cast. As he booked tours across the United States, Meier continued to seek a suitable permanent outdoor location for his production, mentioning his quest to the public in interviews across the nation. En route to the West Coast, Meier presented the Passion Play in Sioux Falls, the only town of size within South Dakota at that time. A group of businessmen from the Black Hills attended and asked Meier to examine possible sites in their area. He chose a spectacular natural location in Spearfish, and in 1939, an amphitheater was constructed and became the home of the renamed Black Hills Passion Play of America.

The Bavarian village of Oberammergau has staged the trial, crucifixion, and resurrection of Christ nearly every decade since 1634. Each production of the Passion Play attracts hundreds of thousands, many drawn by the spiritual benefits it promises. Yet Hitler called it a convincing portrayal of the menace of Jewry, and in 1970 a group of international luminaries boycotted the play for its anti-Semitism. As the production for the year 2000 drew near, James Shapiro was there to document the newest wave of obstacles that faced the determined Bavarian villagers. Erudite and judicious, Oberammergau is a fascinating and important look at the unpredictable and sometimes tragic relationship between art and society, belief and tolerance, religion and politics.

This book details redemption through typical truths in the Tabernacle. In the Tabernacle are spiritual realities that are only revealed in the resurrected all-powerful Christ. (Christian)

A glorious meeting of humor, eroticism and duplicity, this modern classic enjoys a major West End revival starring Zoe Wanamaker.