The crisis and tragedy which followed the naming of Charles Stewart Parnell as correspondent in a divorce decree in 1890 remains one of the most significant events in modern Irish politics. In this powerful reassessment of the split, Frank Callanan reargues the politics of Parnell's last campaign, and establishes the critical importance of T.M. Healy's ferocious attacks on the Irish leader for the consolidation of a conservative and reactionary Irish nationalism. Contemporary and previously unexplored sources—newspapers, periodicals, political speeches and private correspondence—are used to examine the politics and psychological character of the split. The author draws out from the bitter controversy Parnell's articulate and incisive critique of contemporary nationalist politics, and shows how it anticipated the predicament of the modern Irish state. Parnell's campaign in the split, against overwhe lming odds, emerges as a neglected political masterpiece.

Ireland's regional and provincial newspapers have played a largely unrecognised role in Irish history, this book charts their experiences in the dramatic and sometimes violent years leading up to independence. They were not immune from the conflict - they risked censorship, suppression, prolonged closure, and sometimes violent attack. This book tells their story for the first time.

This third edition of British Political History, 1867–2001 is an accessible summary of major political developments in British history over the last 140 years. Analyzing the changing nature of British society and Britain's role on the world stage, Malcolm Pearce and Geoffrey Stewart also outline the growth of democracy and the growth in the power of the state against a background of party politics. New coverage includes: domestic affairs from 1992 to 2001 John Major's Government the creation of 'New' Labour and the 'Third Way' Blair's first ministry developments in Northern Ireland from 1995 through the Easter Peace Deal into 2001 the 2001 General Election results and implications. Students of British politics and history will find this the perfect resource for their studies.

This final volume in the Cambridge History of Ireland covers the period from the 1880s to the present. Based on the most recent and innovative scholarship and research, the many contributions from experts in their field offer detailed and fresh perspectives on key areas of Irish social, economic, religious, political, demographic, institutional and cultural history. By situating the Irish story, or stories - as for much of these decades two Irelands are in play - in a variety of contexts, Irish and Anglo-Irish, but also European, Atlantic and, latterly, global. The result is an insightful interpretation on the emergence and development of Ireland during these often turbulent decades. Copiously illustrated, with special features on images of the 'Troubles' and on Irish art and sculpture in the twentieth century, this volume will undoubtedly be hailed as a landmark publication by the most recent generation of historians of Ireland.

Strange Country identifies the origin, the development, and the success of the Irish literary tradition in English as one of the first literature that is both national and colonial.

'In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments. Providing a close reading of the relations between printed words and public voices as well as a broader engagement with debates about the socio-political inflections of the aesthetic realm, this is a major study of how styles of writing can explore and embody forms of responsible political conduct.