For this latest edition, the authors returned to Barbados to update the changing face of life in St. Lucy, the parish behind Gods backthe islands most rural district. After discussing Barbadoss colonial history as a plantation society based on slavery and the economys recent conversion from sugar to tourism, they turn to everyday life in St. Lucy: patterns of work, gender relations, religion, and the meaning of community. The book concludes by examining the global forces and mediatelevision, tourism, travel, and the Internetthat connect villagers to the outside and most directly affect their lives. Written with students in mind, this highly readable, illustrated, and thought-provoking account is ideal for courses in cultural anthropology and Caribbean studies. An appendix describes the changes North American students experienced as a result of participating in the anthropology field schools the authors ran in Barbados over a twenty-year period.

"Artfully combines personal narrative, ethnographic insight, and an artisan’s treatise on material culture and production techniques to bring quotidian Caribbean ceramic wares to life as material expressions of cultural adaptation and markers of the region’s socio-economic history."--Michael R. McDonald, author of Food Culture in Central America "Weaves a complex history that links the Caribbean with Africa, Europe, the Americas, and India and draws together threads from indigenous cultures to the impact of the slave trade, indentured workers, colonial rulers, postcolonial politics, and global tourism."--Moira Vincentelli, author of Women Potters: Transforming Traditions "In the field of indigenous ceramics, cross-regional research is becoming increasingly important for potters, students, and scholars alike. Fay establishes a solid base for both further regional research and global comparative work."--Elizabeth Perrill, author of Zulu Pottery "Provides a historical and social context for the heritage of traditional ceramics in the contemporary Caribbean and at the same time grounds it in the everyday practice of potters."--Mark W. Hauser, author of An Archaeology of Black Markets: Local Ceramics and Economies in Eighteenth-Century Jamaica Beautifully illustrated with richly detailed photographs, this volume traces the living heritage of locally made pottery in the English-speaking Caribbean. Patricia Fay combines her own expertise in making ceramics with two decades of interviews, visits, and participant-observation in the region, providing a perspective that is technically informed and anthropologically rigorous. Through the analysis of ceramic methods, Fay reveals that the traditional skills of local potters in the Caribbean are inherited from diverse points of origin in Africa, Europe, India, and the Americas. At the heart of the book is an in-depth discussion of the women potters of Choiseul, Saint Lucia, whose self-sufficient Creole lifestyle emerged in the nineteenth century following the emancipation of plantation slaves. Using methods inherited from Africa, today’s potters adapt heritage practice for new contexts. In Nevis, Antigua, and Jamaica, related pottery traditions reveal skill sets derived from multiple West and Central African influences, and in the case of Jamaica, launched ceramics as a contemporary art form. In Barbados, colonial wheel and kiln technologies imported from England are evident in the many productive clay studios on the island. In Trinidad, Hindu ritual vessels are a key feature of a ceramic tradition that arrived with indentured labor from India, and in Guyana potters in both village and urban settings preserve indigenous Amerindian culture. Fay emphasizes the integral role relationships between mothers and daughters play in the transmission of skills from generation to generation. Since most pottery produced is intended for domestic use as cooking pots, serving vessels, and for water storage, women have been key to sustaining these traditions. But Fay’s work also shows that these pots have value beyond their everyday usefulness. In the process of forming and firing, the diverse cultural heritage of the Caribbean becomes manifest, exemplifying the continuing encounter between old and new, local and global, and traditional and contemporary. A volume in the series Latin American and Caribbean Arts and Culture, funded by the Andrew W. Mellon Foundation

Behind the Smile is an inside look at the world of Caribbean tourism as seen through the lives of the men and women in the tourist industry in Barbados. The workers represent every level of tourism, from maid to hotel manager, beach gigolo to taxi driver, red cap to diving instructor. These highly personal accounts offer insight into complex questions surrounding tourism: how race shapes interactions between tourists and workers, how tourists may become agents of cultural change, the meaning of sexual encounters between locals and tourists, and the real economic and ecological costs of development through tourism. This updated edition updates the text and includes several new narratives and a new chapter about American students' experiences during summer field school and home stays in Barbados.

After traumatic events, many turn away from the Church; this book presents a path home, providing a way back to a God who can be trusted, loved, and worshipped. Today, the church is sometimes viewed (even from within) as a place apart, which may create a barrier of understanding for those who have experienced trauma. Post-Traumatic God grew out of Peters’ own experience as a chaplain in Iraq and later as an Episcopal priest, and from his subsequent work with an organization he founded, Episcopal Veterans for Peace, which helped him identify the need for this quite-different book to bridge that gap. In it, Peters explores three related themes: history (the early church itself was a post-traumatic community); theology (especially building on Tillich's World War I experiences and the theology he subsequently developed); and ecclesiology (how church can offer community to trauma survivors. Post-Traumatic God equips the Church to heal the unseen wounds of the soul.

The church is not dead, nor does it need to be abandoned as some think. It is still a body that can best demonstrate the heart of God to a needy world. Many have looked at the church with all its flaws and turned their backs on it saying it has passed its prime. The main reason for this is that the church has lost its love for one another and consequently for God. While the church may serve God, try to please God, and make efforts to obey God, love is sadly missing. This lack of love for one another manifests itself through church splits, lack of loyalty, ostracizing those who disagree, turning on one another over insignificant reasons, church hopping, firing pastors, etc. Experiencing God's Love in the Church seeks to challenge believers to renew their commitment to loving one another, and in so doing, returning to what Christ intended His body to look like. When the world sees God’s people truly loving one another, they will then be more apt to see how the Father sent the Son as a demonstration of His love for them.

Margaret Mead Award finalist! Nan Donohoe was an Irish Travelling woman, one of Ireland’s indigenous gypsies or “tinkers.” Traditionally, they traveled the countryside making and repairing tinware, sweeping chimneys, selling small household wares, and doing odd-job work. Over time, they came to live on the roadside in trailers and in government-built camps. Told largely in her own voice, Nan’s saga begins in 1919 with her birth in a tent in the Irish Midlands; it follows her life in Ireland and England, in countryside and city slums, through adversity and adventure. Gmelch brings to her task not only the resources of anthropology, but the skill of a sensitive writer and a warmth that allows her to see Nan as a person, not a subject. What emerges is a human story, filled with cruelty and compassion, sorrow and humor, bad luck and good.