Paramedic Jamie Llewelyn moves to Ellery to start a new life away from the City. Attached to the hospital and working for his friend Liam Wolfe he's happy--even if he has to keep up with excuses to miss the Friday meet ups. He had peace and he could finally make a difference in a community that needed him. When he and Max rescue John Doe from a crashed car balanced on the edge of a ravine Jamie didn't know but his life would never be the same again. John opens his startlingly violet eyes and suddenly Jamie is falling hard. If only John didn't have a gun and could remember why he'd shot the passenger in the car. Then maybe passion could change into something else.

NCTE-CCCC Best Book in Technical or Scientific Communication 2020 Rhetorical Work in Emergency Medical Services: Communicating in the Unpredictable Workplace details how communicators harness the power of rhetoric to make decisions and communicate in unpredictable contexts. Grounded in a 16-month study in the emergency medical services (EMS) workplace, this text contributes to our theoretical, methodological, and practical understandings of the situation-specific processes that communicators and researchers engage in to respond to the urgencies and constraints of high-stakes workplaces. This book presents these intricate processes and skills—learned and innate—that workplace communicators use to accomplish goal-directed activity, collaborate with other communicators, and complete and teach workplace writing.

The extraordinary story of an unjustly forgotten group of Black men in Pittsburgh who became the first paramedics in America, saving lives and changing the course of emergency medicine around the world Until the 1970s, if you suffered a medical crisis, your chances of survival were minimal. A 9-1-1 call might bring police or even the local funeral home. But that all changed with Freedom House EMS in Pittsburgh, a group of Black men who became America’s first paramedics and set the gold standard for emergency medicine around the world, only to have their story and their legacy erased—until now. In American Sirens, acclaimed journalist and paramedic Kevin Hazzard tells the dramatic story of how a group of young, undereducated Black men forged a new frontier of healthcare. He follows a rich cast of characters that includes John Moon, an orphan who found his calling as a paramedic; Peter Safar, the Nobel Prize-nominated physician who invented CPR and realized his vision for a trained ambulance service; and Nancy Caroline, the idealistic young doctor who turned a scrappy team into an international leader. At every turn, Freedom House battled racism—from the community, the police, and the government. Their job was grueling, the rules made up as they went along, their mandate nearly impossible—and yet despite the long odds and fierce opposition, they succeeded spectacularly. Never-before revealed in full, this is a rich and troubling hidden history of the Black origins of America’s paramedics, a special band of dedicated essential workers, who stand ready to serve day and night on the line between life and death for every one of us.

In a focused and compelling discussion, Anis Bawarshi looks to genre theory for what it can contribute to a refined understanding of invention. In describing what he calls "the genre function," he explores what is at stake for the study and teaching of writing to imagine invention as a way that writers locate themselves, via genres, within various positions and activities. He argues, in fact, that invention is a process in which writers are acted upon by genres as much as they act themselves. Such an approach naturally requires the composition scholar to re-place invention from the writer to the sites of action, the genres, in which the writer participates. This move calls for a thoroughly rhetorical view of invention, roughly in the tradition of Richard Young, Janice Lauer, and those who have followed them. Instead of mastering notions of "good" writing, Bawarshi feels that students gain more from learning how to adapt socially and rhetorically as they move from one "genred" site of action to the next.

Amy Shannon is an author, book reviewer (Amy's Bookshelf Reviews) and co-host of the podcast ""The After Show with McKensie Stewart & Amy Shannon."" Amy has written over 108 stories and still has more to come. Most of her stories are fictional dramas featuring strong, female characters, though two of her stories have a male protagonist and main character. Depths of Characters is meant to be a writer's workbook for character development. Inside, this book provides tips, shares experiences, and gives examples that fit the character categories. Categories include, but are not limited to character names, building character profiles, protagonists and antagonist. This book also contains pages for note-taking, and exercises after each section for the writer to complete. This book also includes examples from authors such as McKensie Stewart, Melanie Nowak, and Abdiel Leroy. There are also excerpts from classic literature authors, such as Shakespeare, Charles Dickens, Homer, and Dante Alighieri.

A practical and no nonsense guide to the sometimes daunting world of research and evidence-based practice.