Investigates the 1985 guerilla insurgency and bloody military coup

"Known for her impeccable plotting and fully defined characters," says Library Journal in a starred review about acclaimed author Susanne Alleyn, and in this newest installment featuring Aristide Ravel, freelance investigator for the Paris police, Alleyn brings her sharpest voice and most keenly crafted mystery yet. Louis XVI is in his grave, and Marie-Antoinette is on her way to trial. Paris is hungry, restless, and fearful in the autumn of 1793, and the guillotine's blade is beginning to fall daily on the necks of enemies of the French Republic. Not even members of the Republican government are safe from the threat of the Revolutionary Tribunal, where the only sentence for the guilty is death. In this atmosphere of distrust and anxiety, police agent Ravel, while coming to terms with personal tragedy, must stop a ruthless killer who is terrorizing the city. Ravel soon learns, however, that hunting a murderer who strikes at random and leaves headless corpses on the streets, paralleling the ever more numerous victims of the guillotine, is a task that will lead him to dark, painful secrets and echoes from an even darker past. From the author of The Cavalier of the Apocalypse, A Treasury of Regrets, and Game of Patience comes the fourth Aristide Ravel mystery, unfolding amid the bloody events and murderous politics of the Reign of Terror. "Alleyn brilliantly captures the paranoid spirit of the times, and inserts enough twists to keep most readers guessing. This entry approaches the quality of the historical fiction of such authors as Steven Saylor and Laura Joh Rowland."--Publishers Weekly (starred review) "A fiendishly clever and compelling mystery set in a grim, gripping vision of Paris where there is no justice, only shades of gray."--Kirkus Reviews

Courtiers of the Marble Palace explores how law clerks are hired and utilized by United States Supreme Court justices.

An exploration of the history and significance of the Palace of Culture and Science in Warsaw, Poland. The Palace of Culture and Science is a massive Stalinist skyscraper that was “gifted” to Warsaw by the Soviet Union in 1955. Framing the Palace’s visual, symbolic, and functional prominence in the everyday life of the Polish capital as a sort of obsession, locals joke that their city suffers from a “Palace of Culture complex.” Despite attempts to privatize it, the Palace remains municipally owned, and continues to play host to a variety of public institutions and services. The Parade Square, which surrounds the building, has resisted attempts to convert it into a money-making commercial center. Author Michal Murawski traces the skyscraper’s powerful impact on twenty-first century Warsaw; on its architectural and urban landscape; on its political, ideological, and cultural lives; and on the bodies and minds of its inhabitants. The Palace Complex explores the many factors that allow Warsaw’s Palace to endure as a still-socialist building in a post-socialist city. “The most brilliant book on a building in many years, making a case for Warsaw’s once-loathed Palace of Culture and Science as the most enduring and successful legacy of Polish state socialism.” —Owen Hatherley, The New Statesman’s“Books of the Year” list (UK) “An ambitious anthropological biography of Poland’s tallest and most infamous building, the Palace of Culture and Science in Warsaw. . . . It is a truly fascinating story that challenges a tenacious stereotype, and Murawski tells it brilliantly, judiciously layering literatures from multiple disciplines, his own ethnographic work, and personal anecdotes.” —Patryk Babiracki, H-Net History

In October 2005, three weeks of rioting erupted in France following the accidental deaths of two French boys of North African ancestry. Killed while fleeing the police, these boys were deemed dangerous based largely on their immigrant origins. In France, disadvantaged children of immigrant and foreign ancestry represent the vast majority of formal suspects and have increasingly been portrayed as a threat to public safety and as the embodiment of the assault on French values. Despite official rhetoric of protection, Judging Mohammed reveals how the treatment of these children in the juvenile courts system undermines legal guarantees of equality and due process and reinforces existing hierarchies. Based on five years of extensive research in the largest and most influential juvenile court in France, this work follows young people inside the system, from arrest to court trials. Revealing an alarming turn toward accountability, restitution, and retribution, this groundbreaking study uncovers the disquieting reasons behind France's shifting approaches to the identification, treatment, and representation of its delinquent youth.

In 1961, young, black, eighth-grade dropout Wilbert Rideau despaired of his small-town future in the segregated deep south of America. He set out to rob the local bank and after a bungled robbery he killed the bank teller, a fifty-year-old white female. He was arrested and gave a full confession. When we meet Rideau he has just been sentenced to death row, from where he embarks on an extraordinary journey. He is imprisoned at Angola, the most violent prison in America, where brutality, sexual slavery and local politics confine prisoners in ways that bars alone cannot. Yet Rideau breaks through all this and finds hope and meaning, becoming editor of the prison magazine, going on to win national journalism awards. Full of gritty realism and potent in its evocation of a life condemned, Rideau goes far beyond the traditional prison memoir and reveals an emotionally wrought and magical conclusion to his forty-four years in prison.

A remnant of the Renaissance : the transnational iconography of justice -- Civic space, the public square, and good governance -- Obedience : the judge as the loyal servant of the state -- Of eyes and ostriches -- Why eyes? : color, blindness, and impartiality -- Representations and abstractions : identity, politics, and rights -- From seventeenth-century town halls to twentieth-century courts -- A building and litigation boom in Twentieth-Century federal courts -- Late Twentieth-Century United States courts : monumentality, security, and eclectic imagery -- Monuments to the present and museums of the past : national courts (and prisons) -- Constructing regional rights -- Multi-jurisdictional premises : from peace to crimes -- From "rites" to "rights" -- Courts : in and out of sight, site, and cite -- An iconography for democratic adjudication.