Venice, 1609. Matteo Benveneto, younger son of a merchant family, has plans to revive the waning fortunes of the great trading city by introducing Venetians and Europeans to an exotic drink from the highlands of Arabia and the cities of the East: caofa, or coffee. His friend Gaspare Treviso has ideas for steam-powered engines that offer the prospect of military advantage against the Turks and immediate practical benefits in pumping the leaky cellars of government buildings. A novel of coffee, ideas, and ambition, Arabian Wine offers a lush, erudite, and sensual glimpse of a culture bound by tradition and poised on the edge of explosive cultural and technological change.Published in an edition of 300 copies, signed by the author

Featured on NPR and PBS's SciTech Now, and in Fast Company, Forbes, and the Wall Street Journal The inside story of the new race to conquer space For the outsize personalities staking their fortunes on spaceships, the new race to explore space could be a dead end, a lucrative opportunity--or the key to humanity's survival. Elon Musk and Jeff Bezos take center stage in this fast-paced narrative as they attempt to disrupt the space economy and feed their own egos. We meet a supporting cast of equally fascinating entrepreneurs, from the irrepressible British mogul Richard Branson to the satellite internet visionary Greg Wyler. Tim Fernholz's fly-on-the-wall reporting captures an industry in the midst of disruption. NASA seeks to preserve its ambitious space program, traditional aerospace firms like Boeing and Lockheed Martin scramble to adapt to new competitors, lobbyists tussle over public funds, and lawmakers try to prevent this new space race from sparking global conflict. Fernholz spins this high-stakes marathon into a riveting tale of rivalry and survival.

Australia's dirtiest habit is its addiction to coal. But is our dependence on it a road to prosperity or a dead end? Are we hooked for life? And who is profiting from our addiction?

The Three Barons proves that it is possible (with enough research), to reconstruct the organizational chart of the JFK plot. This book provides the first useful, in-depth analysis of the 120 phone calls by LBJ in the week following the assassination regarding such items as the Civil Rights Act, demands made by the military and similar political power plays. The Three Barons presents the first use of statistical factor analysis to identify the plotters, using a database of 30 books and 1500 names and examines the military officers allegedly close to the plot, such as NATO Commander Gen. Lyman Lemnitzer, General Lauris Norstad, and JFK's advisor, Gen. Maxwell Taylor. For the first time, the National Security Council, its structure and its members, are scrutinized for their obvious role in the JFK plot. More specifically, The Three Barons explains the role of Treasury Secretary C. Douglas Dillon and his father, investment banker Clarence Dillon, who likely had fascist sympathies. This book identifies, for the first time, why there were three actual barons involved in the plot and why at least three members of the Warren Commission had powerful Nazi connections, beginning in WWII and continuing through November 22, 1963.

WINNER OF THE 2019 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE "Krasznahorkai’s masterpiece" (The Millions); "Apocalyptic, visionary, and mad" (Publishers Weekly); "One of the supreme achievements of contemporary literature" (Paris Review); "Obsessive and visionary" (The New Yorker); "Genius" (The Baffler) At last, the capstone to Krasznahorkai’s four-part masterwork Set in contemporary times, Baron Wenckheim’s Homecoming tells the story of a Prince Myshkin–like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor—a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town—offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.

While students and general readers typically cannot relate to esoteric definitions of science fiction, they readily understand the genre as a literature that characteristically deals with subjects such as new inventions, space, robot and aliens. This book looks at science fiction in precisely this manner, with twenty-one chapters that each deal with a subject that is repeatedly addressed in science fiction of recent centuries. Based on a packet of original essays that the author assembled for his classes, the book could serve as a supplemental textbook in science fiction classes, but also contains material of interest to science fiction scholars and others devoted to the genre. In some cases, chapters offer thorough surveys of numerous works involving certain subjects, such as imagined vehicles, journeys beneath the Earth and undersea adventures, discovering intriguing patterns in the ways that various writers developed their ideas. When comprehensive coverage of ubiquitous topics such as robots, aliens and the planet Mars is impossible, chapters focus on major themes referencing selected texts. A conclusion discusses other science fiction subjects that were omitted for various reasons, and a bibliography lists additional resources for the study of science fiction in general and the topics of each chapter.