"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.

The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodologically diverse ways, engaging with musical sound and structure, musical and social history, and ethnography of music and musical performance. These broad materials explore five themes: music and missions, music and religious utopias (and other oppositional religious communities), music and conflict, music and transnational flows, and music and everyday life. The volume as a whole, then, approaches Christian groups and their musics as diverse and powerful windows into the way in which music, religious ideas, capital, and power circulate (and change) between places, now and historically. It also tries to take account of the religious self-understandings of these groups, presenting Christian musical practice and exchange as encompassing and negotiating deeply felt and deeply rooted moral and cultural values. Given that the centerpiece of the volume is Christian religious musical practice, the volume reveals the active role music plays in maintaining and changing religious, moral, and cultural values in a long history of intercultural and transnational encounters.

This book describes the change from the Catholic Church of the ancien regime to the church of the early nineteenth century as it affected the institution of the Papacy and through it the Church at large.

The book should be seen in the context of Paul Bradshaw's earlier works: The Search for the Origins of Christian Worship and Eucharistic Origins. In this book he updates his thinking in this area, focussing on the origins of the Eucharist, Baptism and Daily Prayer. The controversial introductory chapter is entitled: Did Jesus Institute the Eucharist at the Last Supper?

The church's development and use of sacraments has evolved in many ways from the days of the early church to the present. This sourcebook provides key theological texts that played a role in those movements. Johnson traces the history and theology of individual sacraments along with their liturgical context in the church's worship. He includes materials previously developed in James F. White's classic collection, Documents of Christian Worship: Descriptive and Interpretive Sources (Westminster John Knox Press, 1992), and supplements these to provide a wide range of indispensible materials. He also contributes helpful background notes to give the reader the full breadth and depth of the church's thought on these important topics. This book will be of great value to those studying the history of Christian worship and the development of the sacraments.

This text re-examines the great variety of liturgical practices in the first four centuries in the light of modern Jewish and Christian scholarship.