A richly illustrated, accessibly written book with a variety of perspectives on slavery, emancipation, and black life in Savannah from the city's founding to the early twentieth century. Written by leading historians of Savannah, Georgia, and the South, it includes a mix of thematic essays focusing on individual people, events, and places.

The Telfair Museum of Art’s Owens-Thomas House in Savannah, Georgia, is considered one of the finest examples of Regency architecture in the United States. Named a National Historic Landmark in 1976 and listed in the National Register of Historic Places in 1977, the Owens-Thomas House was designed by British architect William Jay and was built from 1816 to 1819. In addition to its architectural significance, the house features fine furnishings and decorative arts from the early nineteenth century. The house’s rare two-story urban slave quarters alone make it a must-see stop on any tour of historic downtown Savannah. The Owens-Thomas House boasts a storied past with political triumphs and personal tragedies, offering visitors unique insight into a young American world as it evolved in the early nineteenth century.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

Painter of vibrant assemblages and champion of African American art, Suzanne Jackson receives her first monograph Published on the occasion of the first full-career survey of Savannah-based artist Suzanne Jackson (born 1944) at the Telfair Museums in Savannah, Georgia, Five Decades illuminates a career that spans more than 50 years, across painting, drawing, theatre, costume design, dance, printmaking and sculpture. The book presents a unique selection of Jackson's artworks and explicates their relationships to identity, community, the natural world and the human body. In addition to featuring new photo documentation and archival images, the book includes essays that contextualize Jackson's practice through the lenses of ecowomanism, materiality, an ethics of care and African American retentions. Five Decades complicates canonical and exclusionary narratives and timelines, opening up Jackson's work to new generations of artists, thinkers and doers to find inspiration in the singular contributions one person can make to collective culture.

“Inspiring reading for aspiring journalists and students of civil rights.” — Kirkus Reviews Wanda Smalls Lloyd’s Coming Full Circle: From Jim Crow to Journalism—with a foreword by best-selling author Tina McElroy Ansa—is the memoir of an African American woman who grew up privileged and educated in the restricted culture of the American South in the 1950s–1960s. Her path was shaped by segregated social, community, and educational systems, religious and home training, a strong cultural foundation, and early leadership opportunities. Despite Jim Crow laws that affected where she lived, how she was educated, and what civil rights she would be denied, Lloyd grew up to realize her childhood dream of working as a professional journalist. In fact, she would eventually hold some of the nation’s highest-ranking newspaper editorial positions and become one of the first African American women to be the top editor of a mainstream daily newspaper. Along the way she helped her newspapers and other media organizations understand how the lack of newsroom and staff diversity interfered with perceptions of accuracy and balance for their audiences. Her memoir is thus a window on the intersection of race, gender, culture and the media’s role in our uniquely American experiment in democracy. How Lloyd excelled in a profession where high-ranking African American women were rare is a memorable story that will educate, entertain, and inspire. Coming Full Circle is a self-reflective exploration of the author’s life journey from growing up in coastal Savannah, Georgia, to editing roles at seven daily newspapers around the country, and circling back to her retirement in Savannah, where she now teaches journalism to a new generation.

"An atmospheric, compelling story of survival, tragedy, the enduring power of myth and memory, and the moments that change one's life." --Kristin Hannah, #1 New York Times bestselling author of The Four Winds "[An] enthralling and emotional tale...A story about strength and fate."--Woman's World “An epic novel that explores the metal of human spirit in crisis. It is an expertly told, fascinating story that runs fathoms deep on multiple levels.”—New York Journal of Books It was called "The Titanic of the South." The luxury steamship sank in 1838 with Savannah's elite on board; through time, their fates were forgotten--until the wreck was found, and now their story is finally being told in this breathtaking novel from the New York Times bestselling author of Becoming Mrs. Lewis. When Savannah history professor Everly Winthrop is asked to guest-curate a new museum collection focusing on artifacts recovered from the steamship Pulaski, she's shocked. The ship sank after a boiler explosion in 1838, and the wreckage was just discovered, 180 years later. Everly can't resist the opportunity to try to solve some of the mysteries and myths surrounding the devastating night of its sinking. Everly's research leads her to the astounding history of a family of eleven who boarded the Pulaski together, and the extraordinary stories of two women from this family: a known survivor, Augusta Longstreet, and her niece, Lilly Forsyth, who was never found, along with her child. These aristocratic women were part of Savannah's society, but when the ship exploded, each was faced with difficult and heartbreaking decisions. This is a moving and powerful exploration of what women will do to endure in the face of tragedy, the role fate plays, and the myriad ways we survive the surviving.

Ever since his best-selling book The Prophet was first published in 1923, Kahlil Gibran has been enchanting spiritually inclined readers with his dogma-free writings so rich with insight, wisdom, beauty, and truth. In this companion collection of little-known writings taken from his published works in Arabic, Gibran encourages us to bravely face life's hardships, and to continuously cultivate a rich inner life to set our moral compasses by. In Visions of the Prophet, Gibran's narrator wrestles with the hypocrisies of Christianity ("Mad John," "The Man on the Cross") and challenges hypocrisy ("Kahlil the Ungodly"). He questions how children born of corrupt marriages and living in poverty can ever become soulful creatures ("The Sister Soul," "The Woman of Tomorrow") and urges us to develop our souls ("Solitude and Isolation"). The one-act dramatic play "The Many-Columned City of Iram" shows a Sufi master, a female sage, and a seeker having a heartfelt discussion about the natures of faith and reality. Containing some of his most intellectually challenging work, Visions of the Prophet reveals a Gibran more vehement and vulnerable than in previous publications.