Two millennia ago She thundered into the skies of Arisa: Suwraith, a demon bent on Humanity's extinction. Into this world is born Rukh Shektan, a peerless young warrior from a Caste of warriors, devoted to the sanctity of his home and his way of life. He is well-versed in the keen language of swords but all his courage and skills may not save him. A challenge comes, one that threatens all he once thought true and puts at risk all he holds dear. And it will enter his life in the form of one of Humanity's greatest enemies - and perhaps its greatest allies. Worse, he will learn of Suwraith's plans. The Sorrow Bringer has dread intentions for his home. The city of Ashoka is to be razed and her people slaughtered.

The riveting finale to the epic fantasy series that readers are comparing to Brandon Sanderson's The Stormlight Archive and Robert Jordan's Wheel of Time. Following Stronghold's destruction, Rukh and Jessira lead the ragged remnants of the OutCastes on the long march to Ashoka. There, they seek sanctuary for her people, but in order to do so, they must overcome unyielding law that demands exile for all ghrinas. Meanwhile, Hal'El Wrestiva--exposed and reviled as the Withering Knife murderer--escapes from Ashoka and hatches one final scheme to resuscitate his soiled reputation. The Virtuous, a newly formed organization full of certitude and strife, plots the destruction of House Shektan. And Li-Choke and the Baels launch a final, desperate plan to save their kind as well as all of Humanity. But it is Rukh who must confront the harshest of choices. It is one that will cost him everything he loves but might also see to the salvation of his home. He cannot falter for Suwraith has once again turned Her ruinous intentions toward Ashoka.

In 1871, the British enacted the Criminal Tribes Act in India, branding numerous tribes and caste groups as criminals. In This Land We Call Home, Nusrat F. Jafri traces the roots of her nomadic forebears, who belonged to one such ‘criminal’ tribe, the Bhantus from Rajasthan, through the lens of caste and religious conversions over the last century. This affecting memoir explores religious and multicultural identities and delves into the profound concepts of nation-building and belonging. Nusrat’s family’s conversion to Christianity as a response to Brahmanical gatekeeping highlights their struggle for acceptance. The family found acceptance in the church, alongside a sense of community, theology, songs and carnivals, and quality education for the children in missionary schools. Parallelly, we see the family’s experiences during Gandhi’s return in 1915, the Partition, the two World Wars, the Emergency and the prime ministers’ assassinations. In a way, this is a story like and unlike the stories all of us carry within us; the inherited weight of who we are and where we come from, our tiny little freedoms and our everyday struggles and, mostly, the intricate jumble of our collective ancestry. Nusrat pays homages to her foremothers, the first feminists, and her forefathers, the ones who tried hard to fit into a caste society only to be spat out, and eventually chose alternative faiths in pursuit of acceptance.

Benedict Morland's comfortable life is overset when an old enemy's dying wish leaves him guardian of an orphaned boy. No-one, including his wife Sibella, can understand why Benedict accepts Lennox Mynott into his household and, amid growing hostility at Morland Place, he takes the boy to America, to join his daughter Mary at Twelvetrees Plantation. Here, Benedict, as well as Lennox, fall in love with the Southern way of life, just at the moment when bitter civil war is about to destroy it forever.