A New Collection of Long Out-of-Print Stories From One of the Greatest Fantasists of the Twentieth Century Avram Davidson, who died in 1993, was widely regarded as one of the most outstanding authors of short fantasy fiction in our time. This collection comprises his distinctive historical fantasies-tales of strange Mitteleuropas, of magic in Victorian England and on the American frontier. Here are "The Lineaments of Gratified Desire," "Traveller from an Antique Land," and "What Strange Stars and Skies"; here are dragons, cameras, and "The Singular Incident of the Dog on the Beach." Witty, whimsical, dark, and strange, these tales of times and places that almost were will leave even the most jaded readers amazed. No one has ever written like Avram Davidson, before or since.

The Polish exile and the Russian villain were familiar figures in nineteenth-century British culture. This book restores the significance of Eastern Europe to nineteenth-century British literature, offering new readings of Blake's Europe , Byron's Mazeppa , and Eliot's Middlemarch , and recovering influential works by Thomas Campbell and Jane Porter.

The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.

Literary Nonfiction. ESCAPE FROM THE NINETEENTH CENTURY is a group of essays by cultural critic Peter Lamborn Wilson and tackles the notion of modern progress: Did the Nineteenth Century ever come to an end? Was the "Twentieth" Century just a rerun? And what about the Twenty-First Century, the New Millennium? Another lackluster confirmation of the Eternal Return? Another garden of secondhand time? If to know "History" as tragedy is to escape its repetition as farce, then perhaps we need to look more deeply at this Past that won't stop haunting us. Two illuminated madmen--Charles Fourier and Friedrich Nietzsche--and two too-sane geniuses--J.P. Proudhon and Karl Marx--are enlisted in the breakout plan.

Another Hungary tells the stories of eight remarkable individuals: an aristocrat, merchant, engineer, teacher, journalist, rabbi, tobacconist, and writer. All eight came from the same woebegone corner of prewar Hungary. Their biographies illuminate how the region's residents made sense of economic underdevelopment, ethnic diversity, and relations between Christians and Jews. Taken together, their stories create a unique picture of the troubled history of Eastern Europe, viewed not from the capital cities, but from the small towns and villages. Through these eight lives, Another Hungary investigates the wider processes that remade Eastern Europe in the nineteenth century. It asks: How did people make sense of the dramatic changes, from the advent of the railroad to the outbreak of the First World War? How did they respond to the army of political ideologies that marched through this region: liberalism, socialism, nationalism, antisemitism, and Zionism? To what extent did people in the provinces not just react to, but influence what was happening in the centers of political power? This collective biography confirms that nineteenth-century Hungary was no earthly paradise. But it also shows that the provinces produced men and women with bold ideas on how to change their world.

"[This] product of meticulous attention to historical detail plus a grasp of American history that enables the author to discern patterns from a mass of information . . . should permanently destroy the notion of the South as a 19th-century monolith."--Journal of American History "An important and insightful book on a neglected subject in American political and social history. It adds not only to our understanding of 'the other South,' but also contributes to our awareness of the other America which the 19th-century South represented."--Political Science Quarterly Carl Degler argues that if one is to understand who southerners were and are today, southern dissent of the 19th century must be understood and appreciated, since those years shaped southern ideas, customs, and values. The Other South highlights white men and women of the 19th century who challenged the domination of slavery in the region, objected to the disruption of the American Union, strove to change the politics and economy of the South during Reconstruction, and worked to displace the dominant Democratic party with the Populist party. While earlier studies suggest the presence of individual southern dissenters, Degler's work broadens the story to include a large number of hitherto unknown individuals and to illustrate not only the variety and complexity of southern dissent but also the broad patterns of dissent across the whole century. By linking and comparing these dissenting groups, Degler reveals underlying and important convictions among southern dissenters as well as the conflicts that beset white southerners who felt compelled to resist or deny the views of the majority. Drawing on extensive historical literature and a wealth of manuscript material, Degler shows the diversity of southern experience in the 19th century and explores who the dissenters were. He examines the grounds for their opposition and points to patterns of opinion far different from the long-held image of a monolithic Old South. Carl N. Degler is Margaret Byrne Professor of American History, emeritus, at Stanford University and past president of the Southern Historical Association and the American Historical Association. His publications include Place Over Time: The Continuity of Southern Distinctiveness and Neither Black Nor White: Slavery and Race Relations in Brazil and the United States.