I sleep, but my heart wakes, says the Song of Songs. The other nightnames the sleepless night we spend in dreams.From The Interpretation of Dreams to Finnegans Wake, many of the great writing projects of the first half of the twentieth century tell tales of this sleepless night. In the post-war waning of the dreamier modernist projects, writers such as Beckett and Blanchot work through the residual fatigue.The Other Night looks anew into the causes of this fatigue. Beginning by establishing a link between Freud's claim that the dream is a kind of pictographic writing and his metapsychologicalclaim that the dreamrepresents the impossibility of complete sleep, The Other Night studies, in readings of Joyce, Beckett, and Blanchot, the unrest, at once literary and political, in which dreams come to u

The sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries? It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century. The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition. I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.

The Chicano poet offers a collection of poems from the last fifteen years, including fourteen new works that discuss love, sex, and AIDS.

Before you fully investigate "Why Is This Night Different from All Other Nights?" ask yourself these questions: 1. If a train is already speeding through the night, is it too late to get on board? 2. When everyone on the train is suspicious, how do you know who to follow? 3. "Murder!" 4. Wait, who said "murder"? Has everything become derailed?

"In the murky London gloom, a knife-wielding gentleman prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. And all manner of players, both human and undead, are preparing to participate."--Publisher.

Every year at Christmas time, I see many books on the poem "The Night Before Christmas" by Clement Moore. I asked myself why there was not a poem about the "other night before Christmas" or the birth of Christ. So, I decided to write one. I hope you enjoy and are inspired by it!

Before he was freed by Neferet, Kalona was imprisoned within the earth for centuries because of the Darkness in his heart. But what happened to the Other World's Kalona? It's as though he's been forgotten, or maybe he never existed at all ... In the present, Other Neferet may have left her House of Night, but she has far from given up her goal of immortality and world domination. As she operates in secret to gain access to Old Magick, the new High Priestess, Anastasia Lankford, works toward peace and acceptance for the vampyres of the Other World. But just as Other Kevin's broken heart will take time to heal, peace in that world will also take time and work--and not all of the Other World vampyres want peace. After all, why should they return to being shunned by humans, especially when they've had a taste of how it feels to be in power? Meanwhile, Zoey is desperate to help rid the Other World of Neferet once and for all, and not knowing what's going on over there is eating away at her. But, as the Nerd Herd warns, it's far too dangerous to call on Old Magick time and again. As a distraction, she throws herself into her work and attempts to bring the humans and vampyres of Tulsa closer together with the first human-vampyre swim meet in history! It's too bad that something always seems to go wrong whenever the stakes are high. What happens when worlds clash and powers that should be left alone are awakened? Can Other Kevin and his world heal from the wounds Neferet continues to inflict? Can Old Magick ever truly be harnessed and used for good? Or will Darkness extinguish Light and leave our heroes broken, hopeless, and as forgotten as Kalona of the Silver Wings? Don't miss this second to last volume in the House of Night Other World saga!