The Other New York provides the first comprehensive look at New York State's rural areas during the American Revolution. This county-by-county survey of the regions outside of New York City describes the social and cultural conditions on the eve of the Revolution and details the events leading up to the conflict, the battles and campaigns fought within the state, the hardships civilians experienced while creating new local governments and supplying the war effort, and postwar reconstruction efforts. It also chronicles the impact that the war had on the European Americans, Native Americans, and African Americans. These groups endured years of strife yet went on to create New York State.

Along with The Exorcist, The Other is one of the most influential of all horror novels.

Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.

Holland and Niles Perry are identical thirteen-year-old twins. They are close, close enough, almost, to read each other’s thoughts, but they couldn’t be more different. Holland is bold and mischievous, a bad influence, while Niles is kind and eager to please, the sort of boy who makes parents proud. The Perrys live in the bucolic New England town their family settled centuries ago, and as it happens, the extended clan has gathered at its ancestral farm this summer to mourn the death of the twins’ father in a most unfortunate accident. Mrs. Perry still hasn’t recovered from the shock of her husband’s gruesome end and stays sequestered in her room, leaving her sons to roam free. As the summer goes on, though, and Holland’s pranks become increasingly sinister, Niles finds he can no longer make excuses for his brother’s actions. Thomas Tryon’s best-selling novel about a homegrown monster is an eerie examination of the darkness that dwells within everyone. It is a landmark of psychological horror that is a worthy descendent of the books of James Hogg, Robert Louis Stevenson, Shirley Jackson, and Patricia Highsmith.

The “riveting account” of a Harlem drug kingpin—the basis for the Ridley Scott film starring Denzel Washington and Russell Crowe (Entertainment Weekly). In the 1970s, Frank Lucas was the king of the Harlem drug trade, bringing in over a million dollars a day. So many heroin addicts were buying from him on 116th Street that he claimed the Transit Authority changed the bus routes to avoid them. He lived a glamorous life, hobnobbing with athletes, musicians, and politicians, but Lucas was a ruthless gangster. He was notorious for using the coffins of dead GIs to smuggle heroin into the United States and, before being sentenced to seventy years in prison, he played a major role in the near death of New York City. In American Gangster, Mark Jacobson’s captivating account of the life of Frank Lucas (the basis for the major motion picture) joins other tales of New York City from the past few decades. The collection features a number of Jacobson’s most famous essays, as well as previous unpublished work and recent articles on 9/11 conspiracy theorists, America’s #1 escort, and Harlem’s own Charles Rangel, the retired chairman of the House Ways and Means Committee. American Gangster is a vibrant, many-layered portrait of the most fascinating city in the world, by one of the most acclaimed journalists of our time. “Gripping reading . . . Whether covering the high life or lowlifes, Jacobson boasts a novelistic eye and muscular prose in the tradition of urban chroniclers like Joseph Mitchell, A.J. Liebling, and Pete Hamill. A-.”—Entertainment Weekly “Mark Jacobson is a living American Master.”—New York Daily News

When 39,195 competitors thunder over the Verrazano-Narrows Bridge to begin the thirty-eighth running of the famed New York City Marathon, they experience one of the most exhilarating moments in sports. But as they cross five towering bridges and five distinct boroughs, carried 26.2 miles by the cheers of two million fans and by their own indomitable wills, grueling challenges await them. New York Times sportswriter Liz Robbins brings race day to life in this gripping saga of the 2007 Marathon, weaving the unforgettable stories of runners into a vibrant mile-by-mile portrait of the world's largest marathon. The professionals pound out the suspense in two thrilling races. Paula Radcliffe, the women's world record holder from Great Britain, returns with new resolve after having given birth nine months earlier; Gete Wami, her longtime rival from Ethiopia, tries to win her second marathon in just five weeks; and Latvia's Jelena Prokopcuka desperately hopes for her third straight New York title. If the women's race plays out like a mesmerizing chess game, then the men's race quickly turns into a high-speed car chase. South Africa's Hendrick Ramaala, eager to recapture glory at age 35, surges to lead the pack as Kenya's Martin Lel and Morocco's Abderrahim Goumri stay within striking range. While the professionals offer insight into the intense, often painful experience of being an elite athlete, the amateurs provide timeless stories of courage and obsession that typify today's marathoner: Harrie Bakst, a cancer survivor at 22, who is a first-timer; Pam Rickard, a 45-year-old mother of three from Virginia, who is a recovering alcoholic; and 65-year-old Tucker Andersen, who has run the race every year since 1976. Enlivening the history of the New York City Marathon with stories of such legends as the late Fred Lebow, the race's charismatic founder, and nine-time champion Grete Waitz, A Race Like No Other provides a curbside seat to the drama of the first Sunday in November. Feel the anxiety at the start in Staten Island. Listen to gospel choirs in Brooklyn and the accordion in Queens. Bask in the delirious sound tunnel of Manhattan's Upper East Side. Hit The Wall in the Bronx. And overcome agony in the last hilly miles before arriving in Central Park—exhausted yet exhilarated—at the finish line.

"A vivid investigation into the seamy underside of nineteenth and twentieth century Paris"--