"The Ostrich Paradox boldly addresses a key question of our time: Why are we humans so poor at dealing with disastrous risks, and what can we humans do about it? It is a must-read for everyone who cares about risk." —Daniel Kahneman, winner of the Nobel Prize in Economics and author of Thinking, Fast and Slow We fail to evacuate when advised. We rebuild in flood zones. We don't wear helmets. We fail to purchase insurance. We would rather avoid the risk of "crying wolf" than sound an alarm. Our ability to foresee and protect against natural catastrophes has never been greater; yet, we consistently fail to heed the warnings and protect ourselves and our communities, with devastating consequences. What explains this contradiction? In The Ostrich Paradox, Wharton professors Robert Meyer and Howard Kunreuther draw on years of teaching and research to explain why disaster preparedness efforts consistently fall short. Filled with heartbreaking stories of loss and resilience, the book addresses: •How people make decisions when confronted with high-consequence, low-probability events—and how these decisions can go awry •The 6 biases that lead individuals, communities, and institutions to make grave errors that cost lives •The Behavioral Risk Audit, a systematic approach for improving preparedness by recognizing these biases and designing strategies that anticipate them •Why, if we are to be better prepared for disasters, we need to learn to be more like ostriches, not less Fast-reading and critically important, The Ostrich Paradox is a must-read for anyone who wants to understand why we consistently underprepare for disasters, as well as private and public leaders, planners, and policy-makers who want to build more prepared communities.

After brain surgery to stop his seizures, a brilliant twelve-year-old boy, enlisting the help of a female classmate, investigates why everyone around him, including his parents and hamster, are acting oddly.

What can a young ostrich called Yussuf teach us about war and friendship? This extraordinary animal helps defeat the Nazis in northern Africa during World War II to save his friends. He places loyalty and honor above everything else to resist the fascist forces that would tear his community apart. In this republishing of the original work by the famous political caricaturist, Emery Kelen, who was devoted to peace, we find pertinent lessons on hope and resistance that will enliven our day.

In this beautifully written novel, the bonds and challenges of caring for a sibling with autism are bravely explored, along with the pain and power that comes from self-discovery. Eleven-year-old Olivia Grant has a knack for finding lost things. She can find lost rings, pets, and even her elderly neighbor's misplaced glasses. There's only one thing Olivia has never been able to find--her brother Jacob's toy ostrich. It wasn't until the day Jacob lost his ostrich that Olivia noticed how different he was: Jacob is autistic, and though she's his little sister, Olivia often feels like the older of the pair, his caretaker. And with her parents so heavily focused on maintaining status quo for Jacob, it's Olivia who has stagnated in his shadow--unable to explore new opportunities, or to be her own person. In fact, apart from being Jacob's sister, Olivia's not really sure who she is. So when summer break begins, and the local community theater announces auditions for an all children's production of her favorite show, Peter Pan, Olivia jumps at the chance to claim something for herself. But what begins as a promising opportunity and a wonderful escape quickly becomes pure chaos. The visiting zoo with an odd assortment of animals--including an ostrich that causes even more trouble than Jacob's missing toy--only make matters worse, as Olivia's summer is shaping up to be just as consumed by Jacob's needs as the rest of her life has been. In time, and with the help of some unlikely alliances, Olivia must learn what it means to be separate from her brother and still love him, how to love herself in spite of her own flaws, and that not all lost things are meant to be found. Praise for The Ostrich and Other Lost Things: "The Ostrich and Other Lost Things is a delicate, warm, textured novel that explores the wonder, pain, envy, and intimacy of sibling relationships. Written with a huge dose of compassion and vulnerability, there is so much to love about the world Olivia and her brother Jacob inhabit. I lost myself in this wonderful world, and I know that Olivia herself wouldn't be able to find me."--Corey Ann Haydu, author of The Someday Suitcase and Rules for Stealing Stars "Beth Hautala weaves a powerful tale about the challenges of having a sibling with autism. Olivia steals our heart as she tries to find what is lost and make her family whole again. The Ostrich and Other Lost Things is full of memorable characters, riveting moments, and surprising turns that add up to a very heartwarming and magical read. I loved it!"--Dana Middleton, author of The Infinity Year of Avalon James "A brave beautiful story. I loved this book."--Paul Acampora, author of I Kill the Mockingbird "Hautala offers an emotionally adept story about love and understanding."--School Library Journal "This is hands down the best book with an autistic character that I have ever read. I would recommend this title for those who enjoy books like Wonder (Knopf, 2012), Out of My Mind (Atheneum, 2010), and The Running Dream (Knopf, 2011). It has a wonderful plot that readers will love and teaches a lot about dealing with individuals who are diagnosed with autism. This is a must read!"--School Library Connection "A heartfelt story of sibling relationships, self-discovery, and unconditional love."--Voice of Youth Advocates "While readers with neurodiverse siblings are the obvious audience for this, the anxieties Olivia expresses and her attempts to control outcomes will resonate with a much broader spectrum of tweens."—Bulletin of the Center for Children's Books

This full-colored, eye-catching, 50-page 8.5" x 8.5" book serves as a primer to "feelings" and "emotions" for young children. It contains six simple lessons, designed to be reviewed with parents, teachers, or therapists: introduction to feelings; uncomfortable feelings; expressing feelings; emotion regulation; sensitivity to others' feelings; and confronting feelings. The book is themed around two children who discover all kinds of feelings by observing the behaviors and feelings of animals.

Raphael’s Ostrich begins with a little-studied aspect of Raphael’s painting—the ostrich, which appears as an attribute of Justice, painted in the Sala di Costantino in the Vatican. Una Roman D’Elia traces the cultural and artistic history of the ostrich from its appearances in ancient Egyptian hieroglyphs to the menageries and grotesque ornaments of sixteenth-century Italy. Following the complex history of shifting interpretations given to the ostrich in scientific, literary, religious, poetic, and satirical texts and images, D’Elia demonstrates the rich variety of ways in which people made sense of this living “monster,” which was depicted as the embodiment of heresy, stupidity, perseverance, justice, fortune, gluttony, and other virtues and vices. Because Raphael was revered as a god of art, artists imitated and competed with his ostrich, while religious and cultural critics complained about the potential for misinterpreting such obscure imagery. This book not only considers the history of the ostrich but also explores how Raphael’s painting forced viewers to question how meaning is attributed to the natural world, a debate of central importance in early modern Europe at a time when the disciplines of modern art history and natural history were developing. The strangeness of Raphael’s ostrich, situated at the crossroads of art, religion, myth, and natural history, both reveals lesser-known sides of Raphael’s painting and illuminates major cultural shifts in attitudes toward nature and images in the Renaissance. More than simply an examination of a single artist or a single subject, Raphael’s Ostrich offers an accessible, erudite, and charming alternative to Vasari’s pervasive model of the history of sixteenth-century Italian art.

The Ostrich Effect goes beyond the typical "how to" approach of most books that deal with difficult conversations at work. It aims to teach the reader what conversations to have, and when to have them, in order to solve destructive problems that occur in the workplace. Like the proverbial ostrich with its head in the sand, people often avoid confronting small issues at work, but, if avoided, these issues will escalate and inevitably wreak havoc. Drawing on a combination of social science research and Kahn’s practical experience as an organizational psychologist, the book examines the micro-processes that underlie the way in which these problems develop and flourish. These micro-processes are tiny, fleeting, and hardly noticeable, but when they are identified, something startling becomes apparent: there is a predictable pattern to this escalation. The book uses a variety of examples to demonstrate this pattern across a range of organizations and industries, and offers a toolkit to help guide the reader in resolving people problems at work. The toolkit focuses not on changing others, but on changing how we interact with others—our own behavior is the most powerful force for change that we have. The ostrich remains the symbol of those of us who foolishly ignore our problems while hoping that they will magically disappear. By identifying this "ostrich effect", the reader is empowered to re-frame and neutralize its impact.