Fyodor Dostoevsky’s final work, The Brothers Karamazov, is arguably one of the best novels ever written in any language. Set in 19th-century Russia, the novel was published as a serial in The Russian Messenger from January 1879 to November 1880. The story revolves around the murder of Fyodor Pavlovitch Karamazov—the father of the Karamazov brothers—a debauched man who leads a hedonistic life and excels in the art of seducing women. A spiritual drama of sorts, the story of Fyodor and his three sons from different wives, embodies Dostoevsky’s philosophy and delves into debates on morality, free will and God. Dostoevsky’s hero Alyosha was named after his own son who died of epilepsy at the age of three in 1878. The qualities that Dostoevsky admired in his son are reflected in the eponymous character, created and developed as a cathartic process. Dostoevsky died less than four months after the publication of The Brothers Karamazov. Constance Garnett’s English translation of the novel was released in 1912. It is believed that a copy of The Brothers Karamazov was found next to Leo Tolstoy’s nightstand when he died.

Rodion Romanovitch Raskolnikov, a brilliant yet conflicted student lives in a rented room of a run-down apartment in St. Petersburg. Extremely handsome, proud, and intelligent, Raskolnikov devises a peculiar theory about “intelligent” men being above law. To execute his theory, he contemplates committing a crime. He murders a cynical and an unscrupulous pawnbroker named Alyona Ivanovna and her sister Lizaveta. The act compels Raskolnikov to negotiate and reconcile with his own moral dilemmas. Fyodor Dostoevsky’s incisive psychological analysis of his protagonist goes beyond Raskolnikov’s criminal act, and covers his perilous journey from suffering to redemption. First published in The Russian Messenger in monthly instalments during 1866, Crime and Punishment, Dostoevsky’s second novel following his return from exile in Siberia, is a powerful revelation of the human condition. Is crime acceptable in the pursuit of a higher purpose?

Fyodor Dostoevsky completed his final novel— The Brothers Karamazov—in 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today “remains harrowingly alive in the face of our present day worries, paradoxes, and joys,” observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevsky’s masterpiece, offering keen insights and a celebration of the author’s unparalleled powers of imagination. Miller’s critical companion to The Brothers Karamazov explores the novel’s structure, themes, characters, and artistic strategies while illuminating its myriad philosophical and narrative riddles. She discusses the historical significance of the book and its initial reception, and in a new preface discusses the latest scholarship on Dostoevsky and the novel that crowned his career.

The latest Horus Heresy novel There is war on Signus Prime; Horus sends the Blood Angels to the Signus system, where an army of Khornate daemons waits for them. The Warmaster’s plan is to use the flaw in the Blood Angels’ gene-seed – which will later be known as the Red Thirst – to turn them to the worship of the Blood God. At the height of the battle, Sanguinius fights with the Bloodthirster Ka’Bandha. The Blood Angels fight for survival of thier minds and bodies

A NEW YORK TIMES NOTABLE BOOK Once in a great while a writer comes along who can truly capture the drama and passion of the life of a family. David James Duncan, author of the novel The River Why and the collection River Teeth, is just such a writer. And in The Brothers K he tells a story both striking and in its originality and poignant in its universality. This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance family. A father whose dreams of glory on a baseball field are shattered by a mill accident. A mother who clings obsessively to religion as a ward against the darkest hour of her past. Four brothers who come of age during the seismic upheavals of the sixties and who each choose their own way to deal with what the world has become. By turns uproariously funny and deeply moving, and beautifully written throughout, The Brothers K is one of the finest chronicles of our lives in many years. Praise for The Brothers K “The pages of The Brothers K sparkle.”—The New York Times Book Review “Duncan is a wonderfully engaging writer.”—Los Angeles Times “This ambitious book succeeds on almost every level and every page.”—USA Today “Duncan’s prose is a blend of lyrical rhapsody, sassy hyperbole and all-American vernacular.”—San Francisco Chronicle “The Brothers K affords the . . . deep pleasures of novels that exhaustively create, and alter, complex worlds. . . . One always senses an enthusiastic and abundantly talented and versatile writer at work.”—The Washington Post Book World “Duncan . . . tells the larger story of an entire popular culture struggling to redefine itself—something he does with the comic excitement and depth of feeling one expects from Tom Robbins.”—Chicago Tribune

What it means to be a man or a woman is questioned today like never before. While traditional gender roles have been eroding for decades, now the very categories of male and female are being discarded with reckless abandon. How does one act like a gentleman in such confusing times? The Catholic Gentleman is a solid and practical guide to virtuous manhood. It turns to the timeless wisdom of the Catholic Church to answer the important questions men are currently asking. In short, easy- to-read chapters, the author offers pithy insights on a variety of topics, including • How to know you are an authentic man • Why our bodies matter • The value of tradition • The purpose of courtesy • What real holiness is and how to achieve it • How to deal with failure in the spiritual life

Long unavailable, The Structure of "The Brothers Karamazov" is a classic in American Slavic studies. Robert L. Belknap's study clarifies the complex architectonics of Dostoevsky's most carefully constructed and painstakingly written book by employing structuralist critical methods. This first paperback edition includes a new preface by the author, reflecting on the theory of the book and on recent developments in Dostoevsky criticism and relevant critical theory.