This volume contains essays that examine the optical works of Giambattista Della Porta, an Italian natural philosopher during the Scientific Revolution. Coverage also explores the science and technology of early modern optics. Della Porta's groundbreaking book, Magia Naturalis (Natural Magic), includes a prototype of the camera. Yet, because of his obsession with magic, Della Porta's scientific achievements are often forgotten. As the contributors argue, his work inspired such great minds as Johanes Kepler and Francis Bacon. After reading this book, researchers, historians, and students will have a better appreciation of this influential scientist. They will also gain a greater understanding of an important period in the history of optics. Readers will learn about Della Porta's experimental method, a process governed by the protocols, aims, and theoretical assumptions of natural magic. Coverage also discusses the material properties and limitations of optical technology in the early 17th century, based on a recently discovered Dutch spyglass. It also demonstrates how diagrams were instrumental in the discovery of the sine law of refraction. In addition, the book includes an in-depth analysis of previously untranslated Latin sources. This makes the material useful to historians of optics unfamiliar with the language. More than 70 illustrations complement the text.

Since the incorporation of scientific approach in tackling problems of optical instrumentation, analysis and design of optical systems constitute a core area of optical engineering. A large number of software with varying level of scope and applicability is currently available to facilitate the task. However, possession of an optical design software, per se, is no guarantee for arriving at correct or optimal solutions. The validity and/or optimality of the solutions depend to a large extent on proper formulation of the problem, which calls for correct application of principles and theories of optical engineering. On a different note, development of proper experimental setups for investigations in the burgeoning field of optics and photonics calls for a good understanding of these principles and theories. With this backdrop in view, this book presents a holistic treatment of topics like paraxial analysis, aberration theory, Hamiltonian optics, ray-optical and wave-optical theories of image formation, Fourier optics, structural design, lens design optimization, global optimization etc. Proper stress is given on exposition of the foundations. The proposed book is designed to provide adequate material for ‘self-learning’ the subject. For practitioners in related fields, this book is a handy reference. Foundations of Optical System Analysis and Synthesis provides A holistic approach to lens system analysis and design with stress on foundations Basic knowledge of ray and wave optics for tackling problems of instrumental optics Proper explanation of approximations made at different stages Sufficient illustrations for facilitation of understanding Techniques for reducing the role of heuristics and empiricism in optical/lens design A sourcebook on chronological development of related topics across the globe This book is composed as a reference book for graduate students, researchers, faculty, scientists and technologists in R & D centres and industry, in pursuance of their understanding of related topics and concepts during problem solving in the broad areas of optical, electro-optical and photonic system analysis and design.

The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as “Lo Spagnoletto,” or “the Little Spaniard.” Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera’s Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera’s artwork and artistic methods and their connections to the Spanish imperial project. Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera’s work in a broad context. He examines how Ribera’s techniques, including rotation, material decay (through etching), and repetition, influenced the artist’s drawings and paintings. Many of Ribera’s works featured scenes of physical suffering—from Saint Jerome’s corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera’s art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera’s material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire. Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera’s art anew.

Reframing Aristotle's natural philosophy, this wide-ranging collection of essays reveals the centrality of magic to his thinking. From late medieval and Renaissance discussions on the attribution of magical works to Aristotle to the philosophical and social justifications of magic, international contributors chart magic as the mother science of natural philosophy. Tracing the nascent presence of Aristotelianism in early modern Europe, this volume shows the adaptability and openness of Aristotelianism to magic. Weaving the paranormal and the scientific together, it pairs the supposed superstition of the pre-modern era with modern scientific sensibilities. Essays focus on the work of early modern scholars and magicians such as Giambattista Della Porta, Wolferd Senguerd, and Johann Nikolaus Martius. The attribution of the Secretum secretorum to Aristotle, the role of illusionism, and the relationship between the technical and magical all provide further insight into the complex picture of magic, Aristotle and early modern Europe. Aristotelianism and Magic in Early Modern Europe proposes an innovative way of approaching the development of pre-modern science whilst also acknowledging the crucial role that concepts like magic and illusion played in Aristotle's time.

The Oxford Handbook of Descartes and Cartesianism comprises fifty specially written chapters on René Descartes (1596-1650) and Cartesianism, the dominant paradigm for philosophy and science in the seventeenth century, written by an international group of leading scholars of early modern philosophy. The first part focuses on the various aspects of Descartes's biography (including his background, intellectual contexts, writings, and correspondence) and philosophy, with chapters on his epistemology, method, metaphysics, physics, mathematics, moral philosophy, political thought, medical thought, and aesthetics. The chapters of the second part are devoted to the defense, development and modification of Descartes's ideas by later generations of Cartesian philosophers in France, the Netherlands, Italy, and elsewhere. The third and final part considers the opposition to Cartesian philosophy by other philosophers, as well as by civil, ecclesiastic, and academic authorities. This handbook provides an extensive overview of Cartesianism - its doctrines, its legacies and its fortunes - in the period based on the latest research.

Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.

Most studies of the Salem witch trials focus on social history and the dynamics between accused and accusers. Science and Specters at Salem turns instead to the intellectual background of the judges to understand why they accepted controversial types of evidence. The role of judges in a witch trial was central. Goldish argues that in Salem the judges' acceptance of questionable touch tests and spectral evidence was a result of their intellectual commitments. Several of the Salem judges were highly educated, and some of them were adherents of a particular philosophical school in England led by Henry More and Joseph Glanvill which Goldish calls "the anti-Sadducees." He demonstrates how the ideas of these leading thinkers, friends of Robert Boyle and Sir Isaac Newton, could have led to the deaths of twenty accused witches in Salem. This book will interest students and scholars of witch trials, American colonial history, Atlantic history, legal history and early modern Europe, as well as lay readers wanting a better understanding of Salem.