"THE ONAM RHYME AND OTHER PASSAGES FROM TIME" is a compendium of Traditional English Poetic Works (As opposed to Modern Poetry). This book is a meandering journey through a multitude of emotions and insights, ranging from the sublime and exhilarating, to the dark and depressing. This book, like life, is painted in shades of grey, where the light blends in with the shadows, and black merges into white forming shades of grey at the borders where they meet. There is nothing called absolute joy and neither absolute sorrow, no absolute victory and neither absolute defeat in life. Everything is relative and are governed by the laws f relativity as expounded by science too. Nobody is perfect and nobody is completely flawed too. Everything is ephemeral and temporary including our emotions too. The only thing that is permanent in this world is His Eternal Grace which is boundless and unending. The central message of this collection of poetry is the divesting of the self from the ephemeral and attaching the self firmly with the eternal, which is His Mysterious Grace. I sincerely hope that the readers shall find this collection to be worth their while.

THE ONAM RHYME AND OTHER PASSAGES FROM TIME- is a compendium of Traditional English Poetic Works (As opposed to Modern Poetry). This book is a meandering journey through a multitude of emotions and insights, ranging from the sublime and exhilarating, to the dark and depressing. This book, like life, is painted in shades of grey, where the light blends in with the shadows, and black merges into white forming shades of grey at the borders where they meet. There is nothing called absolute joy and neither absolute sorrow, no absolute victory and neither absolute defeat in life. Everything is relative and are governed by the laws of relativity as expounded by science too. Nobody is perfect and nobody is completely flawed too. Everything is ephemeral and temporary including our emotions too. The only thing that is permanent in this world is His Eternal Grace which is boundless and unending. The central message of this collection of poetry is the divesting of the self from the temporal and the ephemeral and attaching the self firmly with the eternal, which is His Mysterious Grace. I sincerely hope that the readers shall find this collection to be worth their while.

Beautifully illustrated in color and written in rhyme, 'Celebrate Onam With Me!' is a must-buy for parents seeking to introduce this festival to their children.

In How to Kill a Dragon Calvert Watkins follows the continuum of poetic formulae in Indo-European languages, from Old Hittite to medieval Irish. He uses the comparative method to reconstruct traditional poetic formulae of considerable complexity that stretch as far back as the original common language. Thus, Watkins reveals the antiquity and tenacity of the Indo-European poetic tradition. Watkins begins this study with an introduction to the field of comparative Indo-European poetics; he explores the Saussurian notions of synchrony and diachrony, and locates the various Indo-European traditions and ideologies of the spoken word. Further, his overview presents case studies on the forms of verbal art, with selected texts drawn from Indic, Iranian, Greek, Latin, Hittite, Armenian, Celtic, and Germanic languages. In the remainder of the book, Watkins examines in detail the structure of the dragon/serpent-slaying myths, which recur in various guises throughout the Indo-European poetic tradition. He finds the "signature" formula for the myth--the divine hero who slays the serpent or overcomes adversaries--occurs in the same linguistic form in a wide range of sources and over millennia, including Old and Middle Iranian holy books, Greek epic, Celtic and Germanic sagas, down to Armenian oral folk epic of the last century. Watkins argues that this formula is the vehicle for the central theme of a proto-text, and a central part of the symbolic culture of speakers of the Proto-Indo-European language: the relation of humans to their universe, the values and expectations of their society. Therefore, he further argues, poetry was a social necessity for Indo- European society, where the poet could confer on patrons what they and their culture valued above all else: "imperishable fame."

The beloved debut novel about an affluent Indian family forever changed by one fateful day in 1969, from the author of The Ministry of Utmost Happiness NEW YORK TIMES BESTSELLER • MAN BOOKER PRIZE WINNER Compared favorably to the works of Faulkner and Dickens, Arundhati Roy’s modern classic is equal parts powerful family saga, forbidden love story, and piercing political drama. The seven-year-old twins Estha and Rahel see their world shaken irrevocably by the arrival of their beautiful young cousin, Sophie. It is an event that will lead to an illicit liaison and tragedies accidental and intentional, exposing “big things [that] lurk unsaid” in a country drifting dangerously toward unrest. Lush, lyrical, and unnerving, The God of Small Things is an award-winning landmark that started for its author an esteemed career of fiction and political commentary that continues unabated.

Bibliographical catalog of children's picture books published in different Indian languages.