Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.

The foreword by Frank Lloyd Wright's grandson is a nostalgic and warm introduction to the absorbing account of the restoration. Each chapter takes the reader step by step through the fourteen-year project; the history of each building is amply illustrated with photographs of both the people and places. Biographical sketches and floor plans clearly delineate the changes to the original structures.Chapters describing the fund-raising efforts, and the detailed planning that accompanied the restoration, bring to life the incredible dedication, time, and attention to detail from both volunteers and professionals that went into this massive project. The main chapters--the restoration of the Home and of the Studio--are fascinating accounts of what was uncovered from the original buildings, the innovations Wright had used through the years of his work on the place, and how the restoration was accomplished.Throughout beautiful, full-color photographs reveal the depth of Wright's design acumen and the intensive labor lovingly lavished on the Home and Studio, while historic photographs and asides present compelling information. Wright's granddaughter, in the Afterword, reminds us all of the continuing need to protect Wright's message that "design matters." This book is a fitting tribute to his dictum. Published with The Frank Lloyd Wright Preservation Trust.

"Frank Lloyd Wright lived and worked in Oak Park from 1889 until 1909. He raised six children with his first with, Catherine, in the home and began his remarkable seventy-year career in the adjacent studio. Here Wright created a wholly new form of American architecture known as the Prarie style because it reflects the landscape of midwestern plains. Through frequent additions and modifications, Wright's Oak Park home and studio served as the first testing ground for his imaginative genius. A tour of the building moves from the early home to the later studio, a sequence that reveals the evolving ideas of his first twenty years in practice and thr origin of the principles he was to develop throughout the rest of his career." -- pg. 3.

For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.

From sprawling houses to compact bungalows and from world-famous museums to a still-working gas station, Frank Lloyd Wright’s designs can be found in nearly every corner of the country. While the renowned architect passed away more than fifty years ago, researchers and enthusiasts are still uncovering structures that should be attributed to him. William Allin Storrer is one of the experts leading this charge, and his definitive guide, The Architecture of Frank Lloyd Wright, has long been the resource of choice for anyone interested in Wright. Thanks to the work of Storrer and his colleagues at the Rediscovering Wright Project, thirty-seven new sites have recently been identified as the work of Wright. Together with more photos, updated and expanded entries, and a new essay on the evolution of Wright’s unparalleled architectural style, this new edition is the most comprehensive and authoritative catalog available. Organized chronologically, the catalog includes full-color photos, location information, and historical and architectural background for all of Wright’s extant structures in the United States and abroad, as well as entries for works that have been demolished over the years. A geographic listing makes it easy for traveling Wright fans to find nearby structures and a new key indicates whether a site is open to the public. Publishing for Wright’s sesquicentennial, this new edition will be a trusted companion for anyone embarking on their own journeys through the wonder and genius of Frank Lloyd Wright.

Marion Mahony Griffin (1871–1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright’s Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process. This book examines new research into Mahony’s life and paints a vivid portrait of a woman’s place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony’s origins in the Chicago suburbs, through her years as Wright’s right-hand woman and her bohemian life with her husband in Australia—whose new capital city, Canberra, she helped to plan—up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony’s works and including and populated by an international cast of characters, Marion Mahony Reconsidered greatly expands our knowledge of this talented, complex, and enigmatic modern architect.

Frank Lloyd Wright began making contributions to the Modern movement in his home in Oak Park.