A young mouse must save her production of The Nutcracker in a charming holiday tale from the author of The Gingerbread Pirates and the illustrator of A Series of Unfortunate Events. Hidden in Saint Petersburg’s famed Mariinsky Theater are the world’s tiniest ballet fans: the Mariinsky mice, including Esmeralda, a rising dancer in the Russian Mouse Ballet Company. Despite being unable to control her tail, Esmeralda has just been assigned the lead role of Clara in a new ballet debuting at Christmas: The Nutcracker. But when she learns that the new ballet features mice as villains, her excitement turns to horror: the mice of Saint Petersburg will never come to see such a production. Meanwhile, nine-year-old Irina is convinced that the mice she’s seen in the Mariinsky — the mice her father, the custodian, is supposed to exterminate — are not only fans of the ballet, but dancers themselves. No one will believe her, so it falls to Irina to help save the mice everyone else considers vermin . . . and perhaps to help Esmeralda ensure the future of the mouse company. Sweet and inventive, Kristin Kladstrup’s ballet fantasy features artwork by beloved illustrator Brett Helquist, old-fashioned drama, and just a touch of holiday magic.

Of all the gifts under the tree on Christmas Eve, only one captures Marie Stahlbaum’s heart: a humble nutcracker. He’s a curious little man, with kind eyes, sweet red cheeks, and a friendly appearance. And as midnight nears, he comes to life, revealing a fairy-tale world of magic and wonder, wicked princesses and fierce battles . . . and an ancient curse that can only be broken with the help of a true friend. With the evil Mouse King looming and her dream world threatened, Marie will have to find the strength to stand up for her nutcracker—no matter what it takes. Natalie Andrewson brings E.T.A. Hoffmann’s surreal and fantastical story to life like never before in this vibrant graphic novel adaptation of a beloved Christmas classic.

The original stories behind everyone's favorite Christmas ballet It wasn't until the 1950s that seeing The Nutcracker at Christmastime became an American tradition. But the story itself is much older and its original intent more complex. This eye-opening new volume presents two of the tale's earliest versions, both in new translations: E.T.A. Hoffmann's Nutcracker and Mouse King (1816), in which a young girl is whisked away to the Land of Toys to help her animated nutcracker defeat the Mouse King, and Alexandre Dumas's 1845 adaptation, The Tale of the Nutcracker, based on Hoffmann's popular work. Irresistible tales of magic, mystery, and childhood adventure, these timeless delights and fresh interpretations about the importance of imagination will captivate readers of all ages. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Jan Brett's striking illustrations and the Christmas classic The Nutcracker are a match made in picture book heaven. When Marie and her brother Fritz receive a special Christmas nutcracker from their uncle, Marie immediately feels something magical. "He looks like a real boy," she mused. "A real boy with a secret, who came from far away." This feeling is only the beginning of the epic adventure she goes on with the Nutcracker—into the cabinet, through the battle with the mice, and finally to the magical land of the Sugar Plum Fairy. Jan Brett makes this classic her own by setting it in snowy Russia and adding whimsical touches to the favorite elements of the traditional ballet. Enjoying this book will be an instant Christmas tradition for families who love the ballet and those new to the story. As perfect a gift as Jan Brett's classics The Mitten and The Night Before Christmas.

Discover the real story behind Disney’s latest blockbuster adaptation The Nutcracker and the Four Realms, and the iconic Nutcracker Christmas ballet, as told by Alexandre Dumas ‘How could you imagine, silly child, that this toy, which is made of cloth and wood, could possibly be alive?’ The nutcracker doll that mysterious Godfather Drosselmeyer gives to little Marie for Christmas is no ordinary toy. On Christmas Eve, as the clocks strike midnight, Marie watches as the Nutcracker and her entire cabinet of playthings come to life and boldly do battle against the evil Mouse King and his armies. But this is only the start of the tale. Read on for enchantment and transformation; enter a world by turns fantastical and sinister, a kingdom of dolls and spun-sugar palaces, and learn the true history of the brave little Nutcracker.

An exquisite retelling of Tchaikovsky’s ballet using an entirely new pop-up technique featuring dazzling laser-cut illustrations The magic of Tchaikovsky’s ballet The Nutcracker comes to life in this theatrical pop-up book created by papercut artist Shobhna Patel, whose delicate laser-cut pop-ups will enchant readers young and old. Patel has invented a new paper-engineering technique called the “paperscope,” which is used for the first time in this charming book. The classic story begins on Christmas Eve when a little girl named Clara and her brother Fritz are gathered around the Christmas tree to celebrate with family and friends. Their mysterious uncle, Drosselmeyer the toy maker, gives Clara a beautiful wooden nutcracker who magically comes to life when the clock strikes midnight. So begins an enchanting adventure featuring all of Tchaikovsky’s original characters: the soldier mice, the Sugar Plum Fairy, and of course a handsome prince. The Nutcracker is made all the more extraordinary by Patel’s intricate laser-cut illustrations. The book features four pop-up paperscopes that spring to life when the reader presses each paperscope down with their hand to reveal the scene hidden within. The effect is one of a magical series of stage sets, recalling the story’s origins as a ballet.