Be creative, be adventurous. You don't have to fall down the rabbit hole to enter the magical world of Alice in Wonderland. Just open this giant book and read, color, and remember when you first encountered Lewis Carroll's sublime nonsense and Sir John Tenniel's elegant engravings. Matte Cover 8.5x11' Can be used as a coloring book

A is for Alice: An Alphabet Book is a delightful introduction to the alphabet, using characters and objects from Lewis Carroll's iconic Alice's Adventures in Wonderland and Through the Looking-Glass. A is for Alice, E is for for Egg (Humpty Dumpty of course), Q is for the Queen, not forgetting R for the Rabbit who started off the whole adventure. With charming, traditional colour illustrations by Sir John Tenniel and beautiful Victorian-style decorations and backgrounds, this is a really special book for young children and, together with One White Rabbit: A Counting Book, forms a classy introduction to the classic Macmillan Alice.

Emerging in several different versions during the author's lifetime, Lewis Carroll's Alice novels have a publishing history almost as magical and mysterious as the stories themselves. Zoe Jaques and Eugene Giddens offer a detailed and nuanced account of the initial publication of Alice's Adventures in Wonderland and Through the Looking-Glass and investigate how their subsequent transformations through print, illustration, film, song, music videos, and even stamp-cases and biscuit tins affected the reception of these childhood favourites. The authors consider issues related to the orality of the original tale and its impact on subsequent transmission, the differences between the manuscripts and printed editions, and the politics of writing and publishing for children in the 1860s. In addition, they take account of Carroll's own responses to the books' popularity, including his writing of major adaptations and a significant body of meta-textual commentary, and his reactions to the staging of Alice in Wonderland. Attentive to the child reader, how changing notions of childhood identity and needs affected shifting narratives of the story, and the representation of the child's body by various illustrators, the authors also make a significant contribution to childhood studies.

"I wrote to Macmillan to suggest a new idea: a 'Nursery Edition' of Alice with pictures printed in." Lewis Carroll's diary, 15th February, 1881 The Nursery Alice, originally published by Macmillan & Co. in 1890, was the very first colour edition of Alice. It was intended, wrote Carroll, "to be read by Children aged from Nought to Five. To be read? Nay, not so! Say rather to be thumbed, to be cooed over, to be dogs'-eared, to be rumpled, to be kissed . . ." With this new, younger readership in mind, Carroll rewrote Alice, simplifying and abridging the original text, while Tenniel redrew, enlarged and coloured twenty of his iconic illustrations. The resulting book is a delightfully engaging experience, readers prompted to interact not only with the story but also with the images and even the physical book itself, in a way that is thoroughly modern. Gloriously reproduced for the anniversary year, this edition retains the every word of the original The Nursery Alice and restores the exquisite delicacy of Tenniel's artwork - lost in reproductions across the decades - along with the delightful cover artwork by Emily Gertrude Thomson. This gem of a book is the perfect introduction to Alice, a delight for child and adult readers alike.

New title in the Flame Tree Sketch Book collection, this luxurious sketch book features beautiful art, high-quality production and the thick paper stock makes it ideal for sketching and drawing. A FLAME TREE SKETCHBOOK. Beautiful and luxurious, the sketchbooks combine high-quality production with magnificent art. Perfect as a gift, the thick paper stock makes them ideal for sketching and drawing. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and bookmark ribbons. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. THE ARTIST. This image is from the shortened version of Lewis Carroll's Alice's Adventures in Wonderland (1865), 'The Nursery Alice' (1889/90). The fantasy world on the other side of the rabbit hole has influenced literary retellings, artwork, music, film, and pushed the boundaries of the magical world by reminding us there is no limit to the madness or the creativity of the creator. THE FINAL WORD. As William Morris said, Have nothing in your houses that you do not know to be useful, or believe to be beautiful.

In this volume, Jan Susina examines the importance of Lewis Carroll and his popular Alice books to the field of children’s literature. From a study of Carroll’s juvenilia to contemporary multimedia adaptations of Wonderland, Susina shows how the Alice books fit into the tradition of literary fairy tales and continue to influence children’s writers. In addition to examining Carroll’s books for children, these essays also explore his photographs of children, his letters to children, his ill-fated attempt to write for a dual audience of children and adults, and his lasting contributions to publishing. The book addresses the important, but overlooked facet of Carroll’s career as an astute entrepreneur who carefully developed an extensive Alice industry of books and non-book items based on the success of Wonderland, while rigorously defending his reputation as the originator of his distinctive style of children’s stories.