A satire on Byronism and pessimism in general. A gathering of eccentric characters in a country house, including Mr Glowry, his son Scythrop and Mr Toobad, leads to a series of absurd incidents.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Peacock's first novel is situated within its literary and historical contexts via a substantial introduction, generous notes, and annotated appendices.

This is the first book to offer a literary analysis of Peacock's novels, including the two ironic medieval romances Maid Marian and The Misfortunes of Elphin. Other works included are Headlong Hall, Melincourt, Nightmare Abbey, Crotchet Castle, The Romances and Gryll Grange.

Looking for an alternate take on the classic tale of Robin Hood? Dive into this satirical version told from the perspective of Maid Marian. In it, author Thomas Love Peacock deftly uses the medieval period as a lens through which to poke fun at the excesses of the nineteenth-century Romantic movement.

A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.