The notorious Mrs. Wright—and the resourceful Mr. Lewis Private investigator Whit Lewis is pursuing a case that has taken him to St. Augustine, Florida. His assignment: track down a woman named Susan Wright. A woman whose real name, he believes, is Emma Webster. Emma’s family hired him to find her. She ran away as a teenager more than twenty years ago, leaving behind a trail of confusion and deception, of false identities and unanswered questions. Now “Susan Wright” lives in St. Augustine with her son, Tom; she owns a successful restaurant called—fittingly enough—Illusions. Whether she’s Susan or Emma or both, it’s part of Whit’s job to get to know her; it’s not part of his job to fall in love.

With the nation on the verge of civil war, Claire Winston becomes a crusading abolitionist. But she takes an even greater risk when she finds herself in love with John Taylor, her husband's nephew. As much as John loves her, his devotion is to the Confederacy-and to the rebellious fighters known as Morgan's Raiders. Separated from him by the war, Claire boldly travels across the war-torn country in search of her lover. Disguised as a male soldier, she suddenly finds herself drafted by none other than General Morgan himself, swept up in the greatest guerilla raid in American history-and caught between her loyalty to the Union and her love for John.

Histories of medicine and science are histories of political and social change, as well as accounts of the transformation of particular disciplines over time. This volume considers the effect that demands for social and political reform have had on the theory and, above all, the practice of medicine and science, and on the promotion of human health, from the Renaissance and Enlightenment up to the present.

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly