Serafino is a typical Pirandellian anti-hero, a spectator rather than a participant in the tragi-comedy of human existence. Indeed he has the perfect job for it, that of a film cameraman. Serafino is an observer, an impersonal tool of a new industry based on make-believe. All he has to do is turn the handle of his camera and watch. He has no part in what is going on and is so removed from life that the mauling of an actor by a tiger cannot deflect him from filming the action. The Notebooks of Serafino Gubbio is set in Rome circa 1915, partly on a film set, partly in the city. ‘Pirandello's critique of industrial-technological advance and the human toll such work takes was not entirely novel, even in his time, but is still powerful and well-presented. As far as his analysis of the film-industry goes, it's remarkable for its times -- and not without relevance even today. The Notebooks of Serafino Gubbio is a slightly strangely-woven story, meandering in its reflection and action at times, but all the more striking in those blows it does deliver -- against dehumanizing industrial advances, and the loss of the human element. It has one hell of a conclusion, too. All in all, it's still well worth reading.' M.A. Orthofer in The Complete Review ‘Though Pirandello first published this book on the heels of the Edwardian era, it remains curiously relevant to the modern-day reader – who, like Gubbio, will likely be familiar with the numbness of discerning the world through a lens or a screen.’ Naomi Griffiths in Buzz Magazine